Fujifilm GFX100 II Medium Format Mirrorless Digital Camera (Body Only)

OVERVIEW

ITS A TRIFECTA — SMART, FAST AND STABLE

GFX100 II’s new 102MP sensor and X-Processor 5 combination deliver astounding performance when it is needed most. Enhancements to autofocus algorithms, now incorporating internal subject detection propelled by artificial intelligence, allow photographers and filmmakers to accurately track moving subjects and create 102MP images at up to 8fps using the camera’s high-speed mechanical shutter, or to record 4K/60p video at the full width of GFX100 II’s massive 55mm1 imaging sensor. An updated 9.44M dot EVF with 120fps live view and 5.3fps of blackout-free (8.7fps of blackout-free in 35mm format mode), continuous shutter use, also helps photographers stay close to the action, frame by frame, while internal in-body image stabilization (IBIS) provides up to 8-stops of stability to help transform the way any professional will make their next great image and share their next great story. GFX100 II uses an image sensor measuring 55mm diagonally (43.8mm x 32.9mm), which provides an area approximately 1.7 times that of a 35mm full-frame sensor.

STAY WITH THE ACTION, STAY WITH THE VISION.

Internally record 4:2:2, 10-bit Apple ProRes, or use HDMI to record 12-bit 4:2:2 Apple ProRes RAW or Blackmagic RAW in resolutions of up to 8K/30p, or, at the full width of GFX100 II’s massive 55mm1 sensor, at 4K/60p, for a seamless transition from creative vision to post-production.  Accelerate a project’s delivery to color grading workflows in Da Vinci Resolve or Adobe Premiere Pro without any need to transcode Original Camera Files (OCF) before editing.

CHOOSE YOUR OWN ADVENTURE, PICK YOUR FAVORITE CINE FORMAT

GFX100 II provides specified crops and aspect ratios for multiple cinema formats, which includes full-width GF Format, FUJINON PREMISTA (Vista Vision), and 35mm. With a basic GF to PL adapter, cinematographers anywhere can now use GFX100 II’s 55mm large format imaging sensor with some of the world’s most legendary cinema optics, including Fujifilm’s collection of FUJINON PREMISTA and CABRIO Zoom Lenses. For storytellers with wider aspirations, GFX100 II offers two different high resolution 35mm Anamorphic recording modes that provide various de-squeeze monitoring options in-camera.

WORKFLOW, MEET CLOUD – NO ADDITIONAL HARDWARE NEEDED

Embrace cloud-first workflows and open lines of collaboration with GFX100 II’s World First, accessory-free integration for Frame.io Camera to Cloud, and deliver photos or video straight to the cloud moments after they are created. Utilize the camera’s built-in Wi-Fi or Ethernet LAN connection to connect to Frame.io and deliver hi-res RAW or JPEG images, send h.264 video proxies, or upload 8K ProRes Video securely for immediate project team review and consideration.

A COMPLETE IMAGING SOLUTION, MADE ONLY BY FUJIFILM

With updated video functions that lead to simple post-production workflows, GFX100 II allows creators to go from an idea to the perfect story faster than ever. Native video functions like object priority AF, waveform and vector scope monitoring, a prominent recording flag that is visible around the live view area, and direct-to-SSD recording truly make GFX100 II an impressive, complete filmmaking tool, while a native integration with Atomos AirGluTM BT2, brings timecode synchronization3 to a GFX System camera for the first time and IDT Support for the Academy Color Encoding System (ACES)4 brings the GFX System offerings into the world of motion production in ways never before available. And thanks to Fujifilm's one-of-a-kind color science; photographers and filmmakers can take advantage of exclusive film simulation modes directly within GFX100 II, which now includes REALA ACE mode, a film simulation mode that delivers neutral color reproduction with high-contrast tonal gradations. Inspired by decades of analog film development, image-makers can choose REALA ACE mode, or otherwise a film simulation mode that best fits the mood and that aligns with their creative inspiration.