FUJIFILM GFX100 II IR Digital Camera Body


Key Features
- 102 MP CMOS IR Imaging Sensor
- X-Processor 5
- 8fps continuous mechanical shutter
- Innovative AI Autofocus algorithm
- Up to 8 Stops of In-Body Image Stabilization (IBIS)
- 4K/ 60p at full sensor width in 4:2:2
- 10-Bit Apple ProRes and jam sync timecode with ATOMOS AirGlu BT
- Native Frame.io Camera-to-Cloud integration
- FUJINON PREMISTA, 35mm, and 35mm Anamorphic.
Available for Rent
OVERVIEW
ITS A TRIFECTA — SMART, FAST AND STABLE
FUJIFILM GFX100 II IR is a specialist large format camera designed for professionals and organizations that require near infrared imagery without compromising overall quality or usability. Built on the proven FUJIFILM GFX100 II platform, it combines trusted handling, system credibility, and premium image quality with the ability to reveal detail beyond the visible spectrum. This makes it especially valuable for users in conservation, cultural heritage, forensic imaging, scientific research, inspection, and technical documentation, where additional image information can be critically important. GFX100 II IR also opens new possibilities for advanced creative users who want to explore the distinctive rendering of near infrared photography in a premium large format system. The result is a uniquely capable camera that balances specialist functionality with professional refinement.
See Beyond Visible Light
FUJIFILM GFX100 II IR allows professionals to record information outside the visible spectrum, revealing details conventional cameras cannot. This makes it especially valuable for users working in documentation, investigation, preservation, or analysis,
where additional image information can improve understanding and outcomes. It also offers creative users a distinctive new way to interpret the world, producing unusual tonal relationships and striking visual results. By bringing near infrared capability to a premium large format platform, GFX100 II IR positions this specialist practice as a serious professional imaging solution rather than a niche alternative.
Large Format near Infrared Image Quality
GFX100 II IR combines specialist near infrared image making with the premium quality of GFX System. Instead of approaching near infrared imaging as a compromise, it places it on a platform associated with exceptional detail, rich tonality, and refined rendering. For technical users, this means files that support close evaluation, documentation, and interpretation. For creative users, it means access to the distinctive character of near infrared photography without sacrificing the visual depth and sophistication expected from large format image making.
A Premium Platform for Specialist Imaging
GFX100 II IR is designed for professionals and institutions that need confidence, consistency, and quality from their imaging tools. In fields such as conservation, cultural heritage, forensic work, scientific imaging, and technical documentation, value comes not only from what a camera records, but from how well it fits into established workflows. By offering a near infrared capability within GFX System, GFX100 II IR provides a dependable, credible, and purpose-driven solution. It helps move near infrared imaging beyond a specialist workaround into a more complete professional solution.
STAY WITH THE ACTION, STAY WITH THE VISION.
Internally record 4:2:2, 10-bit Apple ProRes, or use HDMI to record 12-bit 4:2:2 Apple ProRes RAW or Blackmagic RAW in resolutions of up to 8K/30p, or, at the full width of GFX100 II’s massive 55mm1 sensor, at 4K/60p, for a seamless transition from creative vision to post-production. Accelerate a project’s delivery to color grading workflows in Da Vinci Resolve or Adobe Premiere Pro without any need to transcode Original Camera Files (OCF) before editing.
CHOOSE YOUR OWN ADVENTURE, PICK YOUR FAVORITE CINE FORMAT
GFX100 II provides specified crops and aspect ratios for multiple cinema formats, which includes full-width GF Format, FUJINON PREMISTA (Vista Vision), and 35mm. With a basic GF to PL adapter, cinematographers anywhere can now use GFX100 II’s 55mm large format imaging sensor with some of the world’s most legendary cinema optics, including Fujifilm’s collection of FUJINON PREMISTA and CABRIO Zoom Lenses. For storytellers with wider aspirations, GFX100 II offers two different high resolution 35mm Anamorphic recording modes that provide various de-squeeze monitoring options in-camera.
WORKFLOW, MEET CLOUD – NO ADDITIONAL HARDWARE NEEDED
Embrace cloud-first workflows and open lines of collaboration with GFX100 II’s World First, accessory-free integration for Frame.io Camera to Cloud, and deliver photos or video straight to the cloud moments after they are created. Utilize the camera’s built-in Wi-Fi or Ethernet LAN connection to connect to Frame.io and deliver hi-res RAW or JPEG images, send h.264 video proxies, or upload 8K ProRes Video securely for immediate project team review and consideration.
A COMPLETE IMAGING SOLUTION, MADE ONLY BY FUJIFILM
With updated video functions that lead to simple post-production workflows, GFX100 II allows creators to go from an idea to the perfect story faster than ever. Native video functions like object priority AF, waveform and vector scope monitoring, a prominent recording flag that is visible around the live view area, and direct-to-SSD recording truly make GFX100 II an impressive, complete filmmaking tool, while a native integration with Atomos AirGluTM BT2, brings timecode synchronization3 to a GFX System camera for the first time and IDT Support for the Academy Color Encoding System (ACES)4 brings the GFX System offerings into the world of motion production in ways never before available. And thanks to Fujifilm's one-of-a-kind color science; photographers and filmmakers can take advantage of exclusive film simulation modes directly within GFX100 II, which now includes REALA ACE mode, a film simulation mode that delivers neutral color reproduction with high-contrast tonal gradations. Inspired by decades of analog film development, image-makers can choose REALA ACE mode, or otherwise a film simulation mode that best fits the mood and that aligns with their creative inspiration.
Brand

lens specification
| Focus Type | Intelligent Hybrid AF (TTL contrast AF / TTL phase detection AF) |
| Angle of View (diagonal) | Approx. 47° |
| Mount Type | Fujifilm GF |
camera attributes
| Image Sensor Size | 43.8mm×32.9mm |
| Light Metering Modes | TTL 256-zone metering, Multi/ Spot/ Average/ Center Weighted |
| Image Stabilization | IBIS 8-Stops |
| Camera Format | Mirrorless |
| Electronic Shutter | 60mins-32,000sec |
| White Balance Mode | Auto (WHITE PRIORITY, AUTO, AMBIENCE PRIORITY)/ Custom1-3/ Color temperature selection (2500K-10000K)/ Daylight, Shade, Fluorescent light -1, Fluorescent light -2, Fluorescent light -3, Incandescent light, Underwater |
| Lens Mount | FUJIFILM GF |
| Recording Limit | [8K] Approx. 80min.(29.97p) [4K] Approx. 90min. (59.94) [Full HD] Approx. 80min. (59.94p) |
| Mechanical Shutter | 60mins-1/4000sec |
| Audio Recording | Audio : Linear PCM / Stereo sound 24bit / 48KHz sampling, MP4 AVC/H.264, AAC |
| ISO Sensitivity | ISO 80-12,800 |
| Maximum Resolution | 102 million pixels |
| Extended ISO | ISO 40-102,400 |
| Image Sensor Type | CMOS II |
| Exposure Modes | PASM Aperture Priority, Auto, Manual, Program, Shutter Priority |
| Self Timer | Still 10sec. / 2sec.<br />Movie 10sec. / 5sec. / 3sec. |
| Continuous Shooting | Approx 8fps when using mechanical shutter at full resolution.<br />Approx 8.7fps when using electronic shutter (35mm Format Mode ON). |
| Operating Temperature | -10? / +40? |
| Recording File Format (Video) | MOV (Apple ProRes 422 HQ/Apple ProRes 422/Apple ProRes 422 LT/MPEG-4 AVC / H.264, HEVC / H.265, Audio : Linear PCM / Stereo sound 24bit / 48KHz sampling) MP4 AVC/H.264, AAC |
| Recording File Format (Image) | JPEG-Exif Ver.2.32, HEIF-4:2:2 10bit, RAW-14bit RAW (RAF original format), TIFF-8bit / 16bit RGB (In-camera Raw Conversion Only) |
| Camera Body Weight | 948g (including EVF: 1,030g with battery and card) |
viewfinder specifications
| Viewfinder Type | 0.64 inch OLED |
interface
| Connectivity | Bluetooth, Wi-Fi, USB-C, HDMI Type-A, LAN Terminal, 3.5mm microphone, 3.5mm headphone and hot shoe |
| Memory Card Slot | Slot 1: CFexpress Type B, Slot 2: SD/SDHC/SDXC (UHS-II) |
display & viewfinder
| Display Type | 3.2" Tilt-Type (Three Direction) Touch Screen Color LCD Monitor |
| Screen Size | 3.2" |
| Viewfinder Resolution | Approx. 9.44 million dots |
| Diopter Adjustment | -5~+2m-1 |
| Monitor Resolution | 2.36 million dots |
physical specifications
| Dimensions | 152.4 x 117.4 x 98.6mm |
| Weight | 948g (including EVF: 1,030g with battery and card) |
detailed specifications
| Compatible Media | Single Slot: SD/SDHC/SDXC (UHS-I, UHS-II), CFExpress Type B |
| Megapixels | 102MP |
flash attributes
| Built-in Flash | No |
| External Flash Connection | TTL Flash Hot Shoe |
| Maximum Sync Speed | 1/4000sec |
| Flash Modes | TTL (TTL AUTO / STANDARD / SLOW SYNC. ) / MANUAL / COMMANDER / OFF Shoe Mount Flash TTL (TTL AUTO) / STANDARD / SLOW SYNC. ) / MANUAL / MULTI |
power system
| Battery Type | NP-W235 Li-ion battery |
focusing control
| Focus Modes | Single AF/ Continuous AF/ MF |
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