Sigma 17mm f/4 DG DN Contemporary Lens (Sony E)


Key Features
- Compatible with Sony E-Mount Cameras
- Full-Frame 17mm Lens
- Compact Ultra-Wide Angle Prime
- Metal Lens Barrel
- Dust and Splash Resistant Design
- Rounded 7-Blade Diaphragm
- Fast Internal Focus System
OVERVIEW
The lens construction consists of two SLD glass elements and three aspherical lens elements. Aspherical lenses are used for both the front and rear optics. This not only keeps the size of the lens compact but also helps with correcting lens aberrations. As a result, the lens features a φ55mm filter thread (which is smaller than comparable lenses of similar focal lengths) which makes it easy to change filters between SIGMA I series lenses that share the same filter size. * Its construction also helps minimize flare and ghosting that is commonly found in ultra-wide-angle lenses, creating clear images in any environment. This is a lens with truly modern performance, thanks to the advanced processing and production technologies at SIGMA’s only production facility in Aizu.
A highlight of using the 17mm is the impressive minimum focusing distance of 12cm. Capture close-up macro style images in remarkable detail with expansive backgrounds. It is also suitable for selfies and vlogging, where items need to be shown at an arms-reach. A quiet, high-speed stepping motor drives the AF delivering fast and accurate results in both stills and video.
Beyond Beautiful Pictures
The SIGMA I series features full-frame compatible lenses that offer new value to mirrorless systems. The combination of superb optical performance with a level of compactness that is perfectly suited to smaller and lighter modern mirrorless cameras will bring you new opportunities for a perfect shot. SIGMA is aware that in today’s world we have a wide range of camera choices, especially with the increase in mobile phone ownership. But with many people look for something more than a mere act of “taking pictures” when they choose to own a camera and lenses, I series lenses offer the ultimate combination of superb optical performance, outstanding usability and compact form-factor. SIGMA’s excellence in development and production technologies has been built up since our founding in 1961 and became increasingly sophisticated with the introduction of the SIGMA Global Vision brand in 2012. With this as a base, SIGMA has given careful thought to the quality of the products, the feeling of using it and the pleasure of owning it. This is how the I series was born.
Exceptional Build Quality with a Compact Form-Factor
All I series lenses have an all-metal construction. The precision-cut aluminum parts not only give the barrel a sleek, stylish finish, but provide superb durability that improves the quality of the entire product. Metal materials are also used in internal structures that slide with the operation ring for added robustness. These high-precision components crafted with SIGMA’s cutting-edge metalworking technology are also used in SIGMA’s CINE LENS line-up for professional cinematographers and provide a tactile, ergonomic feel that make the lens a pleasure to use. What is more with the I series is that this high build quality is condensed into a palm-sized lens body. The SIGMA 17mm F4 DG DN | Contemporary is one of the smallest in the series. Combine with multiple I series lenses to create a remarkably compact shooting system that is lightweight and small in size.
Magnetic Metal Lens Cap
I series lenses are accompanied by a dedicated magnetic metal lens cap, in addition to a normal plastic cap. This dedicated metal cap clips to the front surface of the lens magnetically. It is no exaggeration to say that this meticulously crafted cap represents the finishing touch for the I series.
Magnetic Metal Lens Cap Holder (sold separately)
When a cap is removed from the lens it should have a proper place where it can be kept. Using this as a starting point, a cap holder using the magnetic force of the dedicated cap was created.
With the cap attached to the ring plate, and the plate clipped to a bag or belt, the cap is always within easy reach and is less likely to get lost. Plus, its elegant design is a stylish addition to a photographer’s equipment.
Brand

lens specification
| Lens Min. Focus Distance | 4.7" |
| Lens Filter Size | 55mm |
| Minimum Aperture | f/22 |
| Angle of View (diagonal) | 103.7° |
| Maximum Aperture | f/4 |
| Focus Type | Autofocus |
| Mount Type | Sony E |
| Focal Length | 17mm |
| Weight | 7.9oz |
| Image Stabilization | No |
| Diaphragm Blades | 7, Rounded |
| Optical Design | 9 Elements in 8 Groups |
- Sigma 17mm f/4 DG DN Contemporary Lens (Sony E)
- Sigma Magnetic Metal Lens Cap (LCF5501M)
- Sigma Rear Lens Cap (LCR II)
- Front Lens Cap
- Lens Hood
- Used Sony Alpha a7R III Mirrorless Digital Camera - Good
- Used Sony A9 III Body - Excellent
- Sony Alpha a6400 Mirrorless Digital Camera (Body Only)
- *Open Box* Sony Alpha a9 II Mirrorless Digital Camera (Body Only)
- Used Sony A7III Body Only - Excellent
- Used Sony Alpha a7R IV Body Only - Excellent
- Sony Alpha 6100 APS-C Mirrorless Camera with 16-50mm II and 55-210mm Lenses
- Sony Alpha a9 III Mirrorless Camera (Body Only)
- Sony Alpha a6400 Mirrorless Digital Camera with 18-135mm Lens
- Used Sony a7R Body Only - Good
- Sony Alpha a1 Mirrorless Digital Camera (Body Only)
- Sony Alpha a7 III Mirrorless Digital Camera (Body Only)
- Sony Alpha a6100 Mirrorless Digital Camera (Body Only)
- Used Sony Alpha a7 III Mirrorless Digital Camera - As Is *Missing Mic Door C
- Used Sony a6100 w/ 16-50mm PZ - Excellent
- Used Sony Alpha a6100 APS-C Mirrorless Digital Camera (Body Only)
- Used Sony A7S III Digital Camera Body Only - Good
- Used Sony A7III Body Only - Good
- Used Sony Alpha a6400 Mirrorless Digital Camera with 16-50mm Lens - Good Con
- Used Sony Alpha a9 II Digital Camera (Body Only) - Good
- Used Fair Sony Alpha a9 III Mirrorless Camera (Body Only)
- Used Good Sony Alpha a9 III Mirrorless Camera (Body Only)
- Used Sony a6400 Body Only - Good Condition
- Used Sony Alpha 6400 Mirrorless Camera with 16-50mm II Lens - Excellent
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Sony A7 III for travel wildlife: keep 70-200mm f/4 with 2x teleconverter, or switch to a 100-400mm lens?
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