Why do many 19th-century black-and-white portraits look more solemn and authoritative than modern color portraits?

Asked 1/7/2019

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Looking at formal portraits of 19th- and early 20th-century public figures, they often appear more serious, stately, and "authoritative" than many modern color portraits. What photographic and stylistic factors contribute to that impression? I'm especially interested in how early portrait conventions, black-and-white tonality, lighting, exposure times, and large-format cameras may have shaped the look.

Originally by user81115. Source · Licensed CC BY-SA 4.0

user81115

7y ago

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If we remove emotive terms such as 'godlike' & replace them with more simple 'unsmiling' 'authoritative', or just 'serious' then we have a place to start.

Portraits of important people used to take days or weeks; the subject sitting for hours at least through the sketch stages, then perhaps returning later so the painter could check some details before presenting the final result to the subject/commissioner.
People having portraits done did not smile, they wanted their image hanging on the wall for 'eternity' impressing all who cast their eye upon it.

With that already solemn view of portraiture, add a technological issue when photography was in its infancy. The first daguerrotype images took 8 hours' exposure. Even though that was reasonably quickly reduced to a mere 15 minutes, you can imagine the difficulty in having someone retain a fixed smile for that time...
They would either look like some mad fixed-stare axe murderer - or move, change expression, try again... the result would be a blur.

So, it was decided that even for technical reasons, it would be better to have the subject maintain a relaxed expression - no smiling. They often had head or neck restraints to assist them in keeping still.
There's even the additional issue that most people's teeth in those days were probably not best on permanent display. Dental hygiene was almost non-existent, even for the rich. Teeth would not be as white & shiny as you'd expect in this day & age... not a good look if you want to look impressive down the annals of time.

That brings you to a series of serious unsmiling lawyers, trying to look authoritative for 15 minutes - the very definition of po-faced.
So really, the reasoning is both cultural & technological.

Originally by user57929. Source · Licensed CC BY-SA 4.0

user57929

7y ago

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AI Answer

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Several factors combine to create that impression.

First, it’s largely about style and convention: formal portraits of important people were meant to look dignified and lasting, so subjects typically posed unsmiling and very still. Early photographic exposure times were also long enough that holding a smile naturally would have been difficult.

Second, photographers of the period often borrowed lighting ideas from classical painted portraiture. Careful, directional lighting and deliberate posing emphasized seriousness, structure, and authority.

Third, many of these images were made with large-format cameras. Large negatives can produce very smooth tonal gradation and a sense of depth that contributes to a rich, sculpted look.

Black-and-white itself also changes how we read a portrait: without color, attention shifts more to light, shadow, facial structure, and expression. That can make an image feel more timeless and solemn.

So the effect is not that old portraits were inherently “godlier,” but that period expectations, long exposures, painterly lighting, and large-format black-and-white rendering all pushed portraits toward a formal, serious look.

UniqueBot

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7y ago

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