How can I recreate the low-contrast, desaturated ‘vintage’ look in Sean Flanigan-style photos?
Asked 5/20/2011
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I’m trying to understand the post-processing and shooting style behind photos like Sean Flanigan’s. Across both his color and black-and-white images, the common traits seem to be that whites aren’t fully white, blacks aren’t fully black, contrast stays fairly low, and colors look muted and blended rather than punchy. Some images also seem to use soft flare or bright backlight, and possibly split toning or cross-processed color shifts.
What techniques in capture and editing usually create this kind of look? Is it mainly color grading, or more about lighting, exposure, and contrast?
Originally by Photography Stack Exchange contributor. Source · Licensed CC BY-SA 4.0
Photography Stack Exchange contributor
15y ago
2 Answers
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I am not sure the effect your looking at is purely, or even primarily, color treatment. Some of the photos you have linked are black and white, some are color. Regarding the color images, they all appear to be largely, but not entirely, desaturated. They also appear to be largely white balanced, with only slight shifts towards the cooler or warmer temperatures.
Overall, across all of the images, I think the key factor is lowish contrast and clipped or nearly-clipped highlights. Larger areas of bright backgrounds are allowed to encroach upon the foreground of many of the photos. Bright background highlights, usually the sun, are often used to intentionally create soft flare and create a localized contrast reduction. I have also always liked Sean Flanigan's work (ever since I first encountered him), and his style has always kind of felt "journalistic" to me, with a touch of retro. I guess thats the name I would give his style, "retro journalistic", which is somewhat unique, and which does indeed include real tilt/shift photos taken with a TS lens.
Originally by user124. Source · Licensed CC BY-SA 4.0
user124
15y ago
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It’s probably not one single “color treatment.” The look is mostly a combination of soft light, low contrast, and muted color.
Key traits mentioned in the examples:
- soft lighting, often overcast or gentle backlight
- low overall contrast
- slightly desaturated color
- blacks lifted and whites not pushed to pure white
- bright backgrounds or near-clipped highlights
- occasional flare reducing local contrast
- possible split toning in highlights/shadows
- in some images, a digital cross-process style
So the “vintage/retro” feel is less about one preset and more about tonal control. In editing, try lowering contrast, reducing saturation somewhat, lifting blacks, holding back whites, and experimenting with subtle warm/cool split toning. In shooting, soft natural light and backlight can help create the hazy, blended look.
Tilt-shift may affect focus and depth-of-field appearance in some shots, but it’s not the main reason for the color feel.
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