How can I make my black-and-white conversions look stronger and more intentional?
Asked 9/8/2016
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I usually shoot in color and only decide in post whether an image might work in black and white. Most of the time, simply converting it in Lightroom doesn’t give me that strong, purposeful black-and-white look I admire in professional work.
What should I pay attention to when shooting and processing for black and white? Are there specific composition, lighting, contrast, or editing techniques that matter more than they do in color? For example, if a scene depends heavily on color differences, is it often a poor candidate for monochrome unless I can separate tones with filters or editing?
Originally by Photography Stack Exchange contributor. Source · Licensed CC BY-SA 4.0
Photography Stack Exchange contributor
9y ago
2 Answers
6
What should I focus on when converting photos to black and white?
- Composition - You need lines that lead the viewer's eyes through the image.
- Light and shadows - You don't have color, you only have various tonal values to distinguish one part of the image from another part.
- Contrast between different objects in the scene - This is kind of the same as the previous point, but it bears repeating. You can increase or decrease the contrast (difference in tonal values) between two differently colored objects using colored filters, either actual filters in front of the lens or digital filters when working with raw data from a bayer masked (color) sensor in the raw conversion and editing process.
Your question seems to be hinting around trying to ask, "What am I missing in the works of the great B&W masters?"
Here's what you seem to be totally missing about how the masters take B&W photos: They use color filters to change the tonal values (how bright or dark a shade of gray is) of different colors that would otherwise be the same shade of gray when converted to monochrome.
For more, please see the links embedded in the previous paragraph as well as this answer to Are there reasons to use colour filters with digital cameras?
There are a few specialized digital cameras that record only monochrome light. But if the camera used is color sensitive many of these filters can be simulated using post processing tools such as Lightroom. The limitations of a digital camera's dynamic range means better results can usually be obtained by shooting with a filter in front of the lens and sensor before the light is recorded by the sensor. Changing the color temperature in post will also affect the tonal relationship of different colored things in the scene.
Beyond that, good composition is even more important as you don't have different colors to help draw the eye from one place to the other in your photo, you only have various tones of gray.
Originally by user15871. Source · Licensed CC BY-SA 4.0
user15871
9y ago
0
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Strong black-and-white images usually start before conversion. Without color, the photo has to work through composition, light, shadow, and tonal separation.
Key things to look for:
- strong composition: leading lines, shapes, geometry, focal points, depth
- light and shadow: B&W depends on tonal values, not color
- subject separation: different objects need distinct brightness/contrast or they will merge
- scenes that rely mainly on color contrast often convert weakly unless you remap tones
In processing, don’t stop at the B&W button. Use the color-channel mix (or virtual color filters) to lighten/darken colors so similar subjects separate better. Then refine with contrast adjustments, especially local contrast, plus dodging and burning to guide the eye and shape the image.
A weak color photo usually won’t become strong just by removing color. If the original lacks composition, useful light, or tonal separation, B&W may not rescue it. Some images can improve with selective darkening/lightening and cropping, but others simply aren’t ideal monochrome subjects.
A good exercise is to start seeing scenes in tones: ask whether the subject will still stand out if all color disappears.
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