How can I shoot better photos in very low, single-color lighting?
Asked 12/18/2018
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2 answers
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I often photograph events where the light is both dim and strongly colored, such as red or blue party lighting outdoors. In these situations my color images usually look poor, and black-and-white conversions can end up flat or strange.
My current approach is to raise ISO until I can keep the shutter speed I need, shoot wide open, and sometimes convert to black and white. I usually avoid flash, but I’m open to using it. Are there any best practices for exposure, white balance, black-and-white processing, or lighting when working in very low monochromatic light?
Originally by Photography Stack Exchange contributor. Source · Licensed CC BY-SA 4.0
Photography Stack Exchange contributor
7y ago
2 Answers
1
As you've already identified, the problem is likely associated with low light levels.
Monochromatic light exacerbates the issue because only 1/4 of the sensels are used for pure red or blue light, and 1/2 of the sensels for pure green light.
Consider adding on-camera flash with a diffuser or bounce. Though many recommend against it, it is warranted in this case because it makes the difference between getting a viable shot or not.
When post processing to black and white, evaluate each of the channels to select the best ones. For instance, if shooting in pure red light, the red channel will likely be the best. It would make no sense to mix in any of the blue or green.
Pushing ISO does not only increase grain. It also reduces dynamic range and color fidelity. If you like the look of grain, add it in post (or enable grain enhancement if available on your camera).
Originally by user75526. Source · Licensed CC BY-SA 4.0
user75526
7y ago
0
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This is a tough scenario because the light is both dim and spectrally limited. With strongly red or blue light, only part of the sensor is getting useful data, so noise, weak color, and flat tonality get worse fast—especially as ISO rises.
Best options:
- Add light if you can. Flash is the most effective fix. Even on-camera flash with bounce or diffusion can make the shot usable; off-camera flash is better if you want more depth and control.
- Be careful with ISO. Higher ISO doesn’t just add grain; it also reduces dynamic range and color fidelity.
- If converting to black and white, don’t assume a normal channel mix will work. In strongly colored light, use the strongest channel (for example, red under red light) rather than mixing in weak channels that only add noise.
- Try a custom white balance frame in the scene using a neutral white object. It may improve correction more than trying to fix extreme color casts later, though with truly monochromatic light there are limits to what white balance can recover.
In short: if image quality matters, bring your own light. If you must use available light, expose carefully, keep ISO only as high as needed, and optimize the strongest channel in post.
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