I think the depth-of-field preview should not be used during live recording (why would you do that anyway?).

Although I can only guess, the most probable reason is that when you press the DOF preview button, the aperture changes very quickly. (This is what is approximated with a step-function in electrical engineering.) Now, the system must respond to that change, but how should it respond? Should it gradually change amplification to arrive from a dark image to the correctly lit? Or should it try to do this as fast as possible, potentially creating an overshoot that will oscillate around the final value? The usual approach is a slower tracking of light intensity - basically you do not expect sudden light intensity changes anyway, and so the AGC, the automatic gain controller can slowly change to the new value.

This is the same as if you go out from a very dark room to bright sunlight. Your eye will get gradually used to the outside light, but it takes awhile before it can operate normally.

Now if you are in Live view, the amount of light is calculated in pure software. When it drastically changes, you need processing power for the AGC algorithm, and probably that just temporarily preempts the recording task.

You can try this easily: get a piece of black paper, and meanwhile recording, just put it before your lens. If I am correct, this will do the same phenomenon you described, proving that this is not a lens-specific problem, it is just too much change in lightness...

In general, why would you change aperture during a recording? Unless you are creating a live DOF change, it is pretty much unneeded... Take multiple takes with different aperture, that is the usual way...