Why are my film photos underexposed when using bounce flash on a Pentax MX?
Asked 10/3/2019
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2 answers
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I'm new to film photography and had inconsistent flash results with a Pentax MX and Pentax AF280T. Some frames were sharp and well exposed, but more than half came out muddy and dark.
Setup:
- Pentax MX at X-sync 1/60
- Pentax AF280T in green auto mode
- Flash head tilted about 40° upward
- SMC Pentax-M 50mm f/1.7 and 28mm f/2.8
- Typically shot at f/11 or f/16
- Kodak Gold 200 and Kodak UltraMax 400
What is the most likely cause of these bad flash exposures, and how can I avoid it when shooting film with flash?
Originally by Photography Stack Exchange contributor. Source · Licensed CC BY-SA 4.0
Photography Stack Exchange contributor
6y ago
2 Answers
2
Pentax AF280T (always set to green two-level auto flash operation, head tilted 40 degrees up)
If you don't have one, you can download a .pdf Pentax AF 280T Manual.
Forty degrees is not high enough for bounce flash in most situations. The light from your flash appears to have bounced off the ceiling and come down well past your intended subjects. Either that or the flash visible in the scene is the direct light from the lower portion of the flash's output. You lit the rear walls up pretty good in some of them!
For the closer shots, bounce flash needs to be pointed almost straight up, between about 75 and 90 degrees. For the larger groups that are a little further from the camera, somewhere around 60-75 degrees should work.
If you want to give a little direct light in addition to the bounced light, you can use a "bounce card" or even a small diffuser attached to the flash with an elastic band or velcro strap. A 3 x 5 or 4 x 6 index card and a rubber band or two-sided tape make a good "bounce card" in a pinch.
For quick and dirty, run and gun, on-camera flash for events, I really like this inexpensive two piece set I bought a while back. I use the smaller one on-camera more often than the larger one. I do use the larger one for off-camera flashes. It has flexible metal rods that allow the reflective surface to be shaped. It can also be rolled up and used as a snoot.
P.S. I'm sure you want to learn how to shoot film, and I wouldn't dream of trying to talk you out of that. But for learning purposes regarding flash, if you have access to a digital camera that can trigger your flash you can accelerate the learning curve and spend a lot less learning how to do flash with the instant feedback and lower cost-per-click of digital. Just use manual exposure mode, set the camera's ISO to the speed of whatever type of film you typically use, set the shutter speed to 1/60 (since that is your film camera's sync speed), and set the lens to apertures you would typically use with your film camera.
Originally by user15871. Source · Licensed CC BY-SA 4.0
user15871
6y ago
0
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The poor frames are most likely underexposed, caused by ineffective bounce flash.
Your flash head was tilted only about 40°, which is often too low for bounce. In many rooms that sends light past the subject or puts too much light on the background instead. Bounce flash also loses a lot of power compared with direct flash, and that loss gets worse with high ceilings, dark ceilings, angled ceilings, or non-white surfaces.
That means your setup may not have delivered enough light for f/11 or f/16, especially on ISO 200 film. The examples described suggest the ceiling/location was a poor bounce surface, so underexposure is expected.
To prevent it:
- Aim the flash higher for bounce: roughly 75–90° for close subjects, 60–75° for larger groups.
- Use bounce only with a fairly low, flat, white ceiling.
- If the ceiling is dark, high, angled, or outdoors, use direct flash or add a bounce card.
- Remember that flash guide numbers are for direct flash; bouncing requires more light or a wider aperture/higher ISO.
- Check the flash manual for its auto-flash settings and bounce use.
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