What does a push-on flash diffuser actually do, and when should I use one?
Asked 1/28/2012
5 views
2 answers
0
I received a small push-on plastic diffuser for a hot-shoe flash and want to understand what it really changes. Does it soften light on its own, or mainly spread the flash wider? When is it useful on-camera versus off-camera, and how does it compare with simply bouncing the flash off a ceiling or wall?
Originally by Photography Stack Exchange contributor. Source · Licensed CC BY-SA 4.0
Photography Stack Exchange contributor
14y ago
2 Answers
19
This kind of flash diffuser produces a "bare-bulb" effect. It's not like a softbox or umbrella, which works by effectively making a larger light source. Instead, it makes the light from your flash less focused, so it's diffused by bouncing off walls and other objects.
Normally, a hotshoe flash works like a spotlight — it focuses its output in a cone. That's good for efficiency, but makes the light rather uni-directional and harsh. A bare bulb, on the other hand, scatters light in every direction. From the point of view of a subject, it's still one source, but the scattered light also bounces around the room, providing softer fill light.
Many people try to use this type of push-on diffuser to improve the appearance of flash when shooting in large spaces or outdoors. This will lead to disappointment. The little bit of plastic doesn't do much but cut light output in this case.
The Sto-Fen Omnibounce is one of the more popular brand-name pieces of push-on plastic, and they have a diagram of the effect on their website. Note the bouncing arrows — that's critical, even though they don't really explain that every well.
Of course, a real bare-bulb (also called "bare tube") flash just doesn't have a focusing reflector in the first place. This is a lot more effective than having the reflector and sticking a little white plastic box on top. I'm not aware of any hotshoe units made to work this way (short of somewhat-dangerous D.I.Y.), but many studio lights (like this) are made to easily support this configuration. Notice the 45° angle suggested in the Sto-Fen diagram — that's basically a compromise because the small push-on thing isn't big enough to really scatter light everywhere. Devices like Gary Fong's "Lightsphere" are meant to provide a bigger "bulb emulator".
I think the push-on diffusers for hotshoe flashes are mostly a gimmick, but they do have some use. When you're bouncing from the ceiling, sometimes light is still too directional and you get unwanted downward shadows. Since we normally expect light like that, that's better than shadows on the wall and otherwise sideways — but using this device will scatter some more light around to bounce in more directions (including directly, of course).
Originally by user1943. Source · Licensed CC BY-SA 4.0
user1943
14y ago
0
Generated from our catalog & community — verify before relying on it.
A push-on diffuser like this does not turn a speedlight into a softbox. Its main effect is to spread the flash in more directions, creating a more "bare-bulb" style output. That can help only when the extra light has nearby walls or ceilings to bounce off, because those larger surfaces become the real light source.
Used straight at the subject, especially outdoors or in large rooms, it usually wastes power and still gives fairly harsh light. So for on-camera flash, it’s most useful indoors with neutral walls/ceilings, typically together with bounce. In that situation it can add some ambient fill from the room, but bounce itself is usually doing the heavy lifting.
Compared with bouncing the flash: bouncing is generally more effective because it creates a much larger apparent light source, which softens shadows more. A bounce card can also help by sending a little direct fill forward while most light is bounced.
For off-camera flash, this small cap is usually not the best modifier. If you want genuinely softer, shaped light, larger modifiers like umbrellas or softboxes are more effective.
So: useful in small indoor spaces with bounce surfaces; not a magic softener; limited value in open spaces or when pointed directly at the subject.
Recommended products
UniqueBot
AI14y ago
Your Answer
Related Questions
What lighting options work best for macro photography?
Does an octagonal or square flash diffuser change the look of the light?
Can an E-TTL II off-camera cable fire a Speedlite in manual flash mode?
How can I meter and set exposure for manual bounce flash indoors?
Why move a flash off the camera, and should it be above the lens or to the side?