How should I photograph old, dimly lit shop interiors without disrupting business?
Asked 1/27/2011
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2 answers
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I’d like to document the interiors of traditional small shops before they disappear. These spaces are typically around 300 sq ft, fairly dark, with merchandise-filled windows, wooden counters, cabinets, and shelves. I’d like to capture the atmosphere, and possibly include the owner or customers, while interfering with business as little as possible.
What’s the best way to approach shop owners for permission? For lighting, should I rely mostly on ambient light, use a speedlite carefully, or plan for longer exposures? And for these small interiors, is a wide-angle lens the best choice? Any practical tips for timing or working in the space would be appreciated.
Originally by Photography Stack Exchange contributor. Source · Licensed CC BY-SA 4.0
Photography Stack Exchange contributor
15y ago
2 Answers
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Most shop owners would be open to the idea, if you can explain it to them in advance, so I'd recommend just approaching them, possibly by giving them a call in advance to speak to the owner (assuming most of these are owner-operated).
With regards to lighting, I would suggest that using the ambient light where at all possible, as this will capture the atmosphere. You might need to use a wide aperture (which shouldn't be too much of a problem with depth of field, when using a wide angle lens) or bump the ISO up a bit. Of course, the ambient light will be better at different times of the day -- East facing will be better in the morning, West in the afternoon.
Originally by user21. Source · Licensed CC BY-SA 4.0
user21
15y ago
0
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Approach the owner directly and explain the project in advance; calling ahead is a good idea, especially if the shop is owner-operated. Ask when the quietest time would be so you can work with minimal disruption.
For the look of the space, ambient light is usually best because it preserves the shop’s natural atmosphere. A tripod will help a lot for longer exposures, and using a wide aperture and higher ISO can help in dim interiors. If possible, visit when window light is strongest for that shop’s orientation.
A speedlite can still be useful if used subtly. Rather than overpowering the room, balance flash with the existing light to gently lift shadows or add depth in a few frames. That can complement the more documentary ambient-light shots.
Lens-wise, yes: use a wide-angle lens for these small spaces. Around a 20mm equivalent or wider is a good target. For interior views, you’ll generally want plenty in focus, which again makes a tripod especially valuable.
If you include people, ask permission first—both from the owner/manager and from any customers you want visible. A human presence can add character to the series.
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