Can you photograph specific wavelengths outside normal visible light, such as UV or narrow visible bands?
Asked 7/12/2018
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I’ve shot near-infrared on a Nikon D750 using an IR filter. I’m wondering what other wavelength-specific photography is practical with a standard digital camera or a modified one. For example, could I isolate a narrower band such as 400–500nm, or shoot ultraviolet? Are there filters for this, and what camera limitations matter?
Originally by Photography Stack Exchange contributor. Source · Licensed CC BY-SA 4.0
Photography Stack Exchange contributor
8y ago
2 Answers
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Extended/Full-Spectrum Photography
Here is a graph to show the general sensitivity of a sensor to various wavelengths:

By putting an IR filter over your lens, you were able to take pictures in the near-infrared range because the hot mirror is not perfect. You can do a "full-spectrum conversion" by replacing the hot mirror in your camera with plain glass. Then, in principle, any frequency from UV to near-IR can be photographed (Around 300nm to 1000nm, shown in the graph). You can use filters to isolate the frequencies you're interested in.
Use of Non-Visible Spectra
Although astrophotography and forensic applications most readily come to mind, there are other uses for extended-spectrum photography. For instance Blue+IR may be used to analyze vegetation.
There are sensors that are used to detect x-rays used in medicine, archaeology, and airports. X-ray crystalography performed by Rosalind Franklin (on film!?) was instrumental in determining the structure of DNA.
MRI machines "photograph" using magnetic resonance instead of light. Ultrasound machines do the same with sound waves to create "photographs" of the heart (echocardiograms) or a fetus. Blind people who use sound to "see" use the same region of the brain that "normal" people use to see with their eyes.
(Color) Filters
If you refer back to the graph, you will see that 400-500nm corresponds roughly to blue-green. B&W photographers often use color filters: Blue, Green, Yellow, Orange, and Red. But with digital cameras, there's not much need to buy colored filters anymore because they're pretty much built into the Bayer color array located over the sensor of your camera.
Although individual filters may not be too expensive (costs range from a few to a few hundred dollars, depending on the type of filter), it can add up if you choose to purchase too many. Unless you convert your camera to full spectrum, there usually isn't much need to buy many color filters. (Exceptions include IR, UV, didymium, ND, polarizing filters.)
Notes
- Obviously, your digital camera cannot record frequencies outside the range that the sensor is sensitive to (approximately 300-1000nm).
Although some may not consider imaging of the electromagnetic spectrum outside of the visible range to be "photography", they do still involve photons.
For non-electromagnetic energies, "photograph" is used as a metaphor. Hasn't anyone ever heard a kid being told about their "first photograph", the ultrasound from when they were still inside the womb?
Reasons you might still want to use color filters, per @MichaelClark:
When using a Bayer masked camera to do B&W work, use of an additional color filter in front of the lens allows one to increase the overall exposure without blowing out one color channel (that one would plan to reduce in raw processing anyway). This allows a higher signal-to-noise ratio using the wavelengths one plans to emphasize.
Are there reasons to use color filters with digital cameras?
Do I still need to use color filters for images that are to be presented in monochrome (B&W)?
Originally by user75526. Source · Licensed CC BY-SA 4.0
user75526
8y ago
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Generated from our catalog & community — verify before relying on it.
Yes—within limits. A standard digital camera sensor is typically sensitive beyond visible light, roughly from near-UV into near-IR, but the camera’s built-in hot mirror/IR-cut filter blocks much of that range. That’s why near-IR can sometimes work with a strong IR filter, and why a full-spectrum conversion is often used for broader wavelength work.
With a full-spectrum conversion, you replace the hot mirror with plain glass, then use external filters to pass only the band you want, from near-UV through near-IR. So isolating a range like 400–500nm is practical in principle, but note that 400–500nm is already within visible light, so you’re really just band-limiting part of the visible spectrum.
Ultraviolet photography also exists, though it is more demanding because sensor response, filters, and especially lens transmission become more restrictive. Beyond UV/visible/near-IR, imaging usually requires entirely different equipment: radio uses antennas, x-rays use very different imaging methods, and many non-visible wavelengths cannot be photographed with an ordinary camera and lens.
So: yes, wavelength-specific imaging is real; for a typical DSLR, full-spectrum conversion plus the right filter is the usual path.
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