Can shooting technique improve color saturation at high ISO when shooting JPEG?
Asked 12/2/2013
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When shooting JPEG in unavoidable low light, raising ISO often brings more noise and colors can look less saturated. Excluding post-processing and in-camera picture-style changes like increasing saturation or using a vivid mode, is there any shooting technique that helps preserve or increase color saturation at high ISO? Or is reduced saturation simply an inherent tradeoff of high-ISO shooting?
Originally by Photography Stack Exchange contributor. Source · Licensed CC BY-SA 4.0
Photography Stack Exchange contributor
12y ago
2 Answers
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I can see two possibilities that aren't related to post-processing either in or out of camera.
First, increase the light, either through changing the scene or by using wider aperture and longer shutter — and thereby lowering the required ISO. This doesn't seem exactly in the spirit of your question, though.
So, second: let the darker scenes be themselves. Our night vision depends more on cells in our eyes which don't distinguish between colors, which means that a decrease in saturation as the scene darkens is part of our natural visual language. Why fight that? You may even want to decrease saturation further in post-processing, which also works in your favor with low-light shooting, as chroma noise is usually regarded as uglier than luminosity noise. You might even consider going all monochrome.
That might be not quite what you wanted to hear either, so I'll sneak in a third: buy a better camera or wait til a few years as sensor technology continues to improve. Better high ISO capability continues to be in demand and will be a focus of research for the foreseeable future.
Originally by user1943. Source · Licensed CC BY-SA 4.0
user1943
12y ago
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There’s no special high-ISO shooting technique that boosts saturation by itself. If color looks washed out, the practical fix is to get more light onto the sensor so you can use a lower ISO: add light, open the aperture, or use a slower shutter speed if subject/camera movement allows.
If you truly must use high ISO in a dark scene, some loss of vivid color is normal. In very low light, scenes naturally appear less colorful, and high ISO also tends to make chroma noise more noticeable. Because of that, trying to force more saturation is often counterproductive.
So the short answer is: reduced saturation is mostly something you live with at high ISO unless you can improve exposure with more light or different exposure settings. In some low-light images, embracing the muted color—or even going monochrome—can produce a better result than trying to make weak color look strong.
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