Why do landscapes often look more saturated near sunset or during the golden hour?
Asked 2/26/2011
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I understand how to increase saturation in post-processing, but sometimes outdoor scenes appear naturally more vivid at certain times of day or year, such as near sunset in spring. What physical changes in the light make colors look more saturated then? Is it mainly a shift in color temperature, or do factors like atmospheric scattering, softer light, and lower scene contrast also affect how saturated colors appear both to our eyes and in photographs?
Originally by Photography Stack Exchange contributor. Source · Licensed CC BY-SA 4.0
Photography Stack Exchange contributor
15y ago
2 Answers
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This is usually due to a color temperature shift that occurs at certain points in the day, as the angle at which the light from the sun changes with the rising and setting sun.
From Wikipedia:
Typically, lighting is softer (more diffuse) and warmer in hue, and shadows are longer. When the Sun is near the horizon, sunlight travels through more of the atmosphere, reducing the intensity of the direct light, so that more of the illumination comes from indirect light from the sky (Thomas 1973, 9–13), reducing the lighting ratio. More blue light is scattered, so that light from the Sun appears more reddish. In addition, the Sun's small angle with the horizon produces longer shadows.
These times are often referred to as the "golden hours", and there is an online calculator that can tell you the times that the light will be best in your area.
Originally by user67. Source · Licensed CC BY-SA 4.0
user67
15y ago
0
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It’s not just one thing. Near sunrise/sunset, sunlight passes through more atmosphere, which scatters more blue light out of the direct sun and makes the sunlight itself appear warmer/redder. That color-temperature shift is a big part of the effect.
At the same time, the light is usually softer and more diffuse, with longer shadows and often a lower lighting ratio than harsh midday sun. That can make scene colors appear richer and more pleasing.
For photography, there’s also a capture issue: golden-hour scenes often have lower dynamic range than bright noon scenes, so cameras can hold both sky and foreground color more easily in a single exposure. In harsh midday light, you may have to choose between exposing for a vivid sky or a properly exposed foreground, which makes the final image look less saturated overall.
So the perceived “extra saturation” is usually a combination of warmer light from atmospheric scattering, softer illumination, and a scene/camera contrast range that is easier to record well.
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