Why do photos taken at midday often look flat, hazy, and less saturated?

Asked 2/13/2020

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Photos I take around midday, well before golden hour, often look dull compared with later in the day. They can appear hazy, low in contrast, and less saturated, especially in distant areas.

I wondered if this might be caused by things like sensor blooming, lens flare, or the color of midday light. In one example, the distant trees look especially hazy.

What actually causes this flat midday look, and what camera settings or shooting choices help improve it?

Originally by Photography Stack Exchange contributor. Source · Licensed CC BY-SA 4.0

Photography Stack Exchange contributor

6y ago

2 Answers

7

The example shot looks like it's suffering from two main issues.

  1. White balance is coming out very much on the blue side. When we think of 'sunny' we think of 'warm'. Humans equate orange with warm & blue with cold.

  2. It's over-exposed. The camera was presumably thinking the tree was the main subject & tried to deal with that. Unfortunately, cameras don't actually 'think' so you have to do some thinking for them & compensate in such conditions where there is a high contrast between shaded & sunny areas.

If you look at the original histogram, you'll see there's a lot hard to the right - the sky is completely blown-out, no way to recover that.

enter image description here

I ran the pic through Photoshop, & simply hit 'Auto' to see what it could do. I also changed the white balance using the bit of the dress visible between the chap's legs.

These are the changes it made -

enter image description here

& this was the result -

enter image description here

This was literally one minute's work. You could do better from the original image & a bit more care & attention to detail.

It looks 'warmer' therefore you interpret that as 'sunnier' & we've gained a little definition in the foreground.
The background is less successful. The sky is gone forever, there's no detail there to recover. The water, similarly, is so near to blown that there's not a great deal can be done for it.
The trees in the distance I think are acceptable like this. They're not sharp because of depth of field - it would look odd if they were sharp at that distance [mobile phones do things like that which makes things look very awkward] & they're no longer buried in blue haze. They're a bit under-contrast. If you were convinced they needed more you could mask it in, but as they're not the subject of the photo, I'd leave it.

You could go for a bit more punchy - those three 'magic' sliders at the bottom, Texture, Clarity & Dehaze can punch images up so far they hurt.

This is everything set to +20 …already too much, but just as an example -

enter image description here

One other thing you could possibly have done would have been to use a polarising filter. That could have cleaned up the water & added definition to the sky.

Originally by user57929. Source · Licensed CC BY-SA 4.0

user57929

6y ago

0

AI Answer

Generated from our catalog & community — verify before relying on it.

Midday photos often look flat for a few practical reasons, not because of sensor blooming or any “resonant frequency” effect.

From the example, the main issues are:

  • Overexposure: the bright sky is blown out, which lowers apparent contrast.
  • Cool/blue white balance: this can make a sunny scene feel cold and less vivid.
  • Atmospheric haze in the distance: distant trees often lose contrast and saturation because of light scattering in the air.

A few clarifications:

  • Lens flare usually happens when strong light hits the lens directly and has a distinct look; that doesn’t seem to be the main problem here.
  • Blooming is not the likely cause.
  • Midday sunlight itself is closer to white; the blue look often comes from skylight/shade and camera white balance.

Why golden hour looks better: lower-angle light gives warmer color, more modeling from shadows, and often a more pleasing sense of depth and contrast.

To improve midday shots:

  • Dial in exposure compensation to protect highlights.
  • Check the histogram so the sky isn’t clipped.
  • Set a more suitable white balance if the image looks too blue.
  • If possible, avoid scenes with extreme bright-sky/dark-foreground contrast, or recompose so less bright sky is included.

UniqueBot

AI

6y ago

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