Used Sony a6100 w/ 16-50mm PZ - Excellent


Key Features
- Sony Alpha a6100 Mirrorless Camera
- Sony E PZ 16-50mm f/3.5-5.6 OSS Lens
- 24.2 Megapixel APS-C Exmor CMOS Sensor
- BIONZ X Image Processor
- High-Resolution Stills/Broad Sensitivity Range
- UHD 4K30p & Full HD 120p Video
- SVGA Tru-Finder 1.44m-Dot OLED EVF
- 3.0" Rear LCD Touchscreen (180º Tilting)
- Built-In Wi-Fi & Bluetooth Technology
- Features 4D Focus System
Available for Rent
OVERVIEW
The Sony Alpha a6100 Mirrorless Digital Camera with 16-50mm Lens is an APS-C-format mirrorless camera that is suitable for both still & video applications.
Optics & Focus:
The Sony Alpha a6100 comes with a Sony E PZ 16-50mm f/3.5-5.6 OSS Lens, which is a Sony E-Mount, APS-C format lens, with one ED element, & four aspherical elements. This lens offers a versatile equivalent zoom range (24-75mm), as well as a retractable design, which makes your system more manageable. The lens is designed to deliver excellent optical quality throughout the range, & uses elements to reduce various aberrations, & improve contrast. Its Optical SteadyShot I.S. (image stabilization), as well as its power zoom mechanism, provides smooth/steady stills & video. The lens has a minimum focusing distance of 9.8", as well as a seven-blade circular aperture for smooth & pleasing bokeh.
The Alpha a6100 features a powerful 4D Focus System, which covers nearly the entire sensor area, & incorporates 425 on-chip phase detection points, as well as 425 contrast-detection areas to allow for precise focusing, in as fast as 0.02 seconds. Its hybrid AF system enables high-density Tracking AF technology, which is able to track moving subjects in a variety of lighting conditions.
Sensor & Screen:
The Alpha a6100 features an APS-C format 24.2 megapixel sensor, which provides smooth & high-quality images, with minimal noise & high sensitivity (from ISO 100-32000). The ISO range can be further expanded to ISO 51200 for shooting in low-light conditions, & features front-end LSI for boosting light-gathering capabilities. This feature also reduces noise, & increases readout speeds to benefit video recording. The sensor, combined with the a6100's BIONZ X processor, provides a high continuous shooting rate of 11 fps, with AF & AE, and permits 14-bit RAW file output to provide a wide tonal & color scale.
The Alpha a6100 also features a 3.0" (921.6k-dot) LCD touchscreen, which can be tilted 180º upward or 74º downward, to accommodate working from higher & lower angles. The monitor also features "White Magic" technology, with RGBW pixel structure to provide increased brightness for shooting in daylight conditions. The monitor's touchscreen design enables Touch Focus control, which allows for immediate focus point selection via the screen while looking through the viewfinder.
Image & Video:
The Alpha a6100 features a powerful 4D Focus System, which covers nearly the entire sensor area, & incorporates 425 on-chip phase detection points, as well as 425 contrast-detection areas to allow for precise focusing, in as fast as 0.02 seconds. Its hybrid AF system enables high-density Tracking AF technology, which is able to track moving subjects in a variety of lighting conditions. Its real-time Eye AF is capable of focusing on your subject's eyes, whether it is human or animal, & is available in AF-S & AF-C modes. Its Lock-on AF maintains focus on moving subjects, & the camera also features a Peaking Manual Focus function to assist with manual focus control for acquiring sharp focus.
For high-resolution recording, the a1600 features internal recording of UHD 4K movies, in multiple frame rates up to 30 fps. Full HD 1080p recording is also supported in frame rates up to 120 fps, & utilizes the 100Mbps XAVC S format, contained within an MP4 wrapper, with 4:2:0 sampling. The 120 fps recording enables 4x & 5x slow motion movie recording, with the frame rate set to either 24p or 30p. An uncompressed HDMI output enables the ability to use an optional external recorder for clean 4K recording, with 4:2:2 sampling. 4K video recording also provides the ability to produce 8 megapixel stills during playback, through grabbing a frame from your movie, & storing it as a separate file.
Other Features:
- NP-FW50 Rechargeable Lithium-Ion Battery (Included) for 420 Shots Per Charge
- Integrated 3.5mm Microphone Port (Provides Greater Control During Video Recording)
- a6100 Can Also Be Powered via USB Connection to Battery/Computer
- Built-In Wi-Fi for Instant Sharing & Direct Sharing to Social Media, Email, & Cloud Storage
Brand

camera attributes
| Built-In Flash | Yes |
| Recording File Format (Image) | JPEG, RAW |
| Flash Control | Compensation: -3 to +3 EV (1/3, 1/2 EV Steps) |
| Autofocus | Auto & Manual Focus |
| Lens Mount | Sony E |
| Flash Control | Max. Sync Speed: 1/160 Second |
| Picture Format | APS-C (1.5x Crop Factor) |
| ISO Sensitivity | Auto, 100 to 32000 (Extended: 100 to 51200) |
| Effective Pixels | 24.2 Megapixel |
| Exposure Modes | Aperture Priority, Auto, Manual, Program, Shutter Priority |
| Image Sensor Type | CMOS |
| Light Metering Modes | Center-Weighted Average, Multi-Zone, Spot |
| Exposure Compensation | -5 to +5 EV (1/3, 1/2 EV Steps) |
| Continuous Shooting | Up to 11 fps at 24.2 MP for up to 33 Exposures (Raw) |
| Total Pixels | 25 Megapixel |
| Metering Range | -2 to 20 EV |
| Focus Mode | Automatic (A), Continuous-Servo AF (C), Direct Manual Focus (DMF), Manual Focus (M), Single-Servo AF (S) |
| White Balance Mode | Auto, Cloudy, Color Temperature, Custom, Daylight, Flash, Fluorescent (Cool White), Fluorescent (Day White), Fluorescent (Daylight), Fluorescent (Warm White), Incandescent, Shade, Underwater |
| Image Sensor Size | 23.5 x 15.6 mm |
| Electronic Shutter | Mechanical Shutter: 1/4000 to 30 Second, Bulb Mode: 1/4000 to 1/4 Second in Movie Mode |
| Flash Mode | Auto, Fill Flash, Hi-Speed Sync, Off, Rear Sync, Red-Eye Reduction, Slow Sync, Wireless |
| Self Timer | 2/5/10-Second Delay |
| AF Detection Points | Phase Detection: 425, Contrast Detection: 425 |
| Aspect Ratio | 1:1, 3:2, 16:9 |
hardware & software data
| Interface & Connectivity | Wireless: Wi-Fi & Bluetooth |
| Interface & Connectivity | Connectivity: 3.5mm Microphone, HDMI D (Micro), Micro-B (USB 2.0) |
| Interface & Connectivity | Memory Card Slot: 1 x SD/SDHC/SDXC/Memory Stick PRO HG-Duo/Memory Stick Pro Duo |
lens specification
| Lens Min. Focus Distance | 9.84" / 25 cm |
| Minimum Aperture | f/22 to f/36 |
| Lens Magnification Factor | 0.215x |
| Lens Filter Size | 40.5 mm (Front) |
| Elements / Groups | 9 Elements In 8 Groups |
| Focal Length | 24-75mm (Equivalent Focal Length) |
| Angle of View (diagonal) | 83° to 32° |
| Maximum Aperture | f/3.5 to f/5.6 |
| Lens Type | Wide to Short Telephoto Zoom |
display & viewfinder
| Screen Size | 3" |
| Display Type | 180° Tilting Touchscreen LCD |
power system
| Battery Type | 1 x NP-FW50 Rechargeable Lithium-Ion, 7.2 VDC, 1080 mAh (Approx. 420 Shots) |
a/v mode
| Audio Recording | AAC LC, AC3, Dolby Digital 2ch, Linear PCM (Stereo) |
| Audio Recording | Built-In Microphone (Stereo), External Microphone Input (Stereo) |
| Video Clip Length | Up to 29 Minutes, 59 Seconds |
detailed specifications
| Max Resolution | 6000 x 4000 |
viewfinder specifications
| Viewfinder Type | 0.39" Electronic (OLED) (1,440,000 Dot) (100% Coverage) |
physical specifications
| Dimensions | 4.72 x 2.63 x 2.34" / 120 x 66.9 x 59.4 mm |
| Weight | 0.87 lb / 396 g (Body with Battery and Memory/Without Lens) |
a/v details
| Recording Formats | XAVC S, AVCHD (External: UHD 4K, Full HD) |
- PGYTECH OneMo Sling 11L (Space Black)
- Peak Design Everyday Backpack 20L Zip - Black
- WANDRD PRVKE V4 21 Photo Bundle Sedona Orange
- Peak Design Camera Cube V2 Large Black
- Peak Design Anchor Links w/ Micro Anchors
- Think Tank V2 Mirrorless Mover 10 Cool Grey
- Saramonic WiTalk9-Case-M Premium Padded Soft Carry Case - Small
- Shimoda Design Explore v2 30 Backpack - Army Green
- PGYTECH Tech Organizer Mini V2 - Mist White
- DOMKE F-34R 11 inch Protective Wrap Black
- Saramonic WiTalk9-Case-L Premium Padded Soft Carry Case - Large
- Nomatic Luma Camera Pack 18L - Stone
- SKB iSeries 3i-1209-4 Case with Think Tank Designed Dividers
- Aputure INFINIBAR PB6 4-Light Rolling Hard Case
- SKB iSeries 3i-2217-10 Case with Think Tank Dividers
- Tenba Skyline V2 Top Load 8 Gray
- Insta360 GO 3 Carry Case
- Westcott 4418 Rolling Hard Case for FJ400 Strobes (44IN x 18IN)
- Insta360 X4 Carry Case
- Sony LCS-EBF Leather Body Jacket Case (Black)
- SKB iSeries 3i-4213-12 Case with Think Tank Designed Lighting/Stand Dividers
- PGYTECH DJI Mavic 3 Series Safety Carrying Case
- WANDRD PRVKE V4 31 Photo Bundle Aegean Blue
- OM SYSTEM LSC-0811 Case for 14-42mm f/3.5-5.6 II Lens
No creators have tagged this product yet.
Articles featuring this product
Sony E PZ 16-50mm f/3.5-5.6 OSS vs OSS II: Is the Mark II Worth the Upgrade?
Aug 22, 2025
·
Tommy William
Sony a6100 vs a6300 vs a6400 vs a6500 vs a6600 vs A6700: APS-C Mirrorless Comparison
Aug 27, 2025
·
Tommy William
Limitations and Missing Features in Sony Lens Compare Beta—What Do YOU Want Improved?
Aug 25, 2026
·
Unique Photo
Wide Angle Sony Zooms: 16-35mm f/2.8 GM vs 16-35mm f/4 PZ Tips and Experiences
Jun 11, 2026
·
Unique Photo
Community questions about this gear
Ask a question
0
votes
2
answers
150
How can I correct distortion in Sony a6100 RAW files from the 16-50mm kit lens in RawTherapee?
Photography Stack Exchange contributor
6y ago
0
votes
2
answers
138
Will a vintage manual-focus 50mm prime give better image quality than the Sony 16-50mm kit lens on an a6000?
Photography Stack Exchange contributor
10y ago



