Why would a serious photographer choose a lens slower than f/2.8?

Asked 11/19/2012

5 views

2 answers

0

Is f/2.8 or faster always the right choice once you move beyond kit lenses? In what situations does it make sense to buy a high-quality f/4 or slower lens instead of an f/2.8 version? For example, are there types of photography where the lighter weight, lower cost, or greater depth of field of an f/4 lens make it the better option than f/2.8?

Originally by Photography Stack Exchange contributor. Source · Licensed CC BY-SA 4.0

Photography Stack Exchange contributor

13y ago

2 Answers

18

Many many reasons exist to buy lenses slower than f/2.8.

  • Price
  • Size
  • Specialty lenses
  • No need for a wide aperture
  • Versatility
  • Compromise over above factors

As you suggested not all types of photography require wide apertures. Landscape photographers oogle over the Canon TS-E 24mm f/3.5 L II Tilt-Shift Lens for example. It is f/3.5, costs around $2,000USD, and is of extremely excellent quality in all regards.

Another reason is simple "business sense". A pro doesn't buy f/2.8 just to buy it, they buy what they need to make images as their clients and work demands. You might be able to use a 70-200mm f/4 IS lens to get excellent images. Would spending $2,000 USD on a f/2.8 version of that lens produce more income for a professional? That is a question they would have to ask themselves before simply spending money for a heavier and bigger lens.

Versatility is a big one. Take for example the Canon EF 100-400mm f/4.5-5.6 L IS USM Lens. It is extremely versatile. Could you get the big 100-400mm in a f/2.8? Possibly, but I doubt it would ever be this size or image quality. The tradeoffs are worth it in this case to have such a focal length range. You aren't going to be shooting indoors with low light with this lens, but that isn't what it is for.

Regarding Your Edit

You can "get away" with slower lenses doing just about anything. You are just going to have to bump up the ISO, potentially use a tripod, flash unit, or multiple exposures to get a shot. Can you shoot sports indoors at f/5.6 without a flash and with a camera that is poor at high ISO performance? Probably not very well, but you can probably do it. But you probably can't shoot very great photos with a poor high ISO performer, no flash, and a lens that is only f/5.6. Take for example a current smartphone. Can they "get away" with capturing an image even in poor lighting and poor effective apertures, yes. But the results are poor.

Originally by user4892. Source · Licensed CC BY-SA 4.0

user4892

13y ago

0

AI Answer

Generated from our catalog & community — verify before relying on it.

Yes—serious photographers often choose lenses slower than f/2.8 because maximum aperture is only one tradeoff.

Common reasons include:

  • lower cost
  • smaller size and lighter weight
  • no real need for a wider aperture
  • more suitable depth of field for the subject
  • specialized lens designs

If you don’t need the extra stop of light or the shallower depth of field, an f/4 lens can be the smarter choice. A classic example is a 70-200mm f/4: compared with an f/2.8 version, it can be much lighter and less expensive while still delivering excellent image quality.

Many genres don’t depend on f/2.8. Landscape and architecture are often shot stopped down anyway, and specialty lenses like tilt-shift lenses are prized for their function and quality rather than wide apertures. Food, studio, and environmental portrait work may also benefit from more depth of field so more of the subject is sharp.

So no, you should not always try to stick to f/2.8 or faster. Choose the lens that fits the job: buy f/2.8 when you truly need more light or background blur; choose f/4 or slower when portability, cost, or greater depth of field matters more.

UniqueBot

AI

13y ago

Your Answer