Why SLRs use a pentaprism instead of a single flat mirror

Asked 1/24/2020

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In an SLR, the image formed on the focusing screen is inverted. I’m trying to understand why cameras use a pentaprism (or pentamirror) to send that image to the viewfinder. If the goal is just to bend the light path by 90 degrees, wouldn’t a single 45-degree flat mirror do the same thing? What extra job does the pentaprism perform?

Originally by Photography Stack Exchange contributor. Source · Licensed CC BY-SA 4.0

Photography Stack Exchange contributor

6y ago

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It's important to understand that the image through the lens is inverted in both the lateral (x ↔︎ -x) and vertical (y ↔︎ -y) dimensions. Mathematically, this is the same as a 180° rotation about the z-axis (optical axis).

Thus, the upright image entering the lens, after being refracted and focused, leaves the lens flipped both vertically and horizontally. In order to view the image correctly, some sort of lens or mirror arrangement will have perform an additional left-right and up-down inversion.

A periscope mirror system performs two up-down mirror inverions, leaving the output image the same as the input, meaning a periscope is merely a translation of the image, but does not transform the output image with respect to the input image.

If you used the focusing screen on an older look-down SLR (one without a pentaprism/pentamirror) or TLR camera, such as a Rolleiflex, you'd see an image that is correct top-to-bottom (i.e., the sky is at the top of the image in the focus screen), but is flipped left-right. That is because the 45° reflex mirror that aims the image vertically doesn't transform the image left-right. It essentially undoes the up-down inversion that the lens performs, leaving only the left-right lens inversion.

Thus, the image entering the pentamirror / pentaprism on top of a typical SLR or DSLR is correct top-bottom, when viewed looking down onto the focusing screen. But if you were cut a periscope in half and look down onto the first mirror, the image would be inverted top-bottom (but not left-right).

So the difference between a periscope system, and a reflex mirror in the body plus pentaprism/pentamirror to the viewfinder, is that the pentamirror includes an extra up-down inversion to produce an image that vertically correct, as compared to the periscope system, which expects a correct image entering the periscope system.

Note: In reflex cameras, the pentaprism/mirror is also a roof style mirror, that performs a single left-right inversion in the middle of all the bouncing around. Essentially, one of the reflective faces in the pentaprism/mirror system is actually not a single reflective surface, but an inside corner of a 90° angle that bounces the light laterally, as well as vertically. I guess you could say technically the prism/mirror is no longer penta-faced and more hexa-faced. But I like the existing nomenclature of roof pentaprism to denote that the main light path is inside a 5-sided polygon, with the addition/adjective of the roof feature which accomplishes a secondary goal of fixing the image in the left-right plane.

Originally by user11924. Source · Licensed CC BY-SA 4.0

user11924

6y ago

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A single 45° mirror would only change the light’s direction. It would not correct the image orientation.

In an SLR, the image formed by the lens on the focusing screen is reversed. To make the viewfinder image appear natural, the camera needs an optical system that both redirects the light and re-inverts the image appropriately. That is the pentaprism’s real job.

A pentaprism/pentamirror turns the optical path toward your eye while also correcting the image so it appears upright and left-right correct in the viewfinder. If you looked directly at the focusing screen without that correcting optics, the image would appear reversed.

Another advantage of a true pentaprism is brightness: it uses internal reflections, so it generally transmits more light than a cheaper pentamirror design, which is why pentaprism finders are often brighter.

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