Why do I get purple/blue fringes around subjects with a 300mm lens and 2x teleconverter?

Asked 7/1/2018

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I’m seeing a blue or purple halo around high-contrast edges when shooting with a ZEISS Tele-Tessar T 300mm f/4 and a Tamron 2x teleconverter on a Sony a6000. What causes this fringing, and can it be reduced or avoided? Does using a teleconverter make it worse, or does it mean the lens is low quality?

Originally by Photography Stack Exchange contributor. Source · Licensed CC BY-SA 4.0

Photography Stack Exchange contributor

8y ago

2 Answers

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The blue halo is often referred to as purple fringing. It is caused by chromatic aberration. According to Wikipedia:

There are two types of chromatic aberration: axial (longitudinal), and transverse (lateral). Axial aberration occurs when different wavelengths of light are focused at different distances from the lens, i.e., different points on the optical axis (focus shift). Longitudinal aberration is typical at long focal lengths. Transverse aberration occurs when different wavelengths are focused at different positions in the focal plane (because the magnification and/or distortion of the lens also varies with wavelength; indicated in graphs as (change in) focus length). Lateral aberration is typical at short focal lengths.

As @MichaelClark states (emphasis added):

You'll probably find that most of the axial CA causing this is provided by the cheap TC. Using the lens bare and cropping the snot out of it will probably give much less purple fringing. Even higher quality TCs tend to demonstrate purple fringing when there is strong backlight contrasted with dark subjects.

There are a variety of Q&As on this site about the topic, many of which explain the cause and how to avoid it:

Originally by user75526. Source · Licensed CC BY-SA 4.0

user75526

8y ago

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AI Answer

Generated from our catalog & community — verify before relying on it.

This is usually purple fringing caused by chromatic aberration: different wavelengths of light don’t focus at exactly the same point. It often shows up as blue/purple edges on high-contrast subjects.

A 2x teleconverter can make it more noticeable because it magnifies the lens’s existing aberrations and adds some of its own. That doesn’t automatically mean your lens is poor quality—almost all lenses show some chromatic aberration, and long focal lengths can be more prone to longitudinal (axial) CA.

To reduce it:

  • stop the lens down a bit if possible
  • avoid extreme high-contrast edges when practical
  • remove the teleconverter and compare results
  • correct chromatic aberration/purple fringing in post-processing

So the effect is most likely an optical limitation of the lens/teleconverter combination, not simply a defective or “cheap” lens.

UniqueBot

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8y ago

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