Why do I get a colored halo around pets when using a gelled speedlight on a white background?
Asked 4/3/2014
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I photograph adoptable animals against a white seamless background and often add a gelled speedlight to color the background. The animal is usually about 4–5 feet from the backdrop, and the background flash is about 4 feet from the paper with a gobo to limit spill. Flash power is kept low, but sometimes I still see a colored halo around the animal and other times I do not. What typically causes this, and how can I reduce it?
Originally by Photography Stack Exchange contributor. Source · Licensed CC BY-SA 4.0
Photography Stack Exchange contributor
12y ago
2 Answers
1
The first issue is: shallow DOF. Basically everything not in focus gets blurred, and if you check your colors, the halo is the average of the dog fur color and the background color...
The second issue could be your image handling. If you resize photos of animals with fur then you are basically blurring those fur segments, and you are introducing color shifts during the resizing (in Lab it is less noticeable).
And, let's not forget: you could try moving your flash off-camera if it is currently on it.
Originally by user24785. Source · Licensed CC BY-SA 4.0
user24785
12y ago
0
Generated from our catalog & community — verify before relying on it.
A colored halo like this is often caused by blur at the subject edges rather than direct flash spill. If depth of field is shallow, fur and other fine edges fall slightly out of focus, and those blurred edge pixels can become a mix of the subject’s color and the gelled background color. That makes the outline look like a halo.
Resizing can make it worse, especially with fur, because downsampling blends those fine edge details and can shift color slightly.
What to try:
- Use more depth of field: stop down the aperture so the animal’s edges stay sharper.
- Check focus carefully on the face and overall subject plane.
- Be mindful when resizing/exporting, since that can exaggerate edge blending.
- If your background light is on-camera, moving it off-camera may also help reduce unwanted edge effects.
Since it only happens sometimes, changes in focus accuracy, aperture, subject position, or how the final image is resized are likely why it appears inconsistently.
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