How can I light a pure white seamless background with continuous lights without overexposing the subject?
Asked 2/11/2016
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2 answers
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I’m shooting small subjects on a white PVC seamless background using continuous softbox/LED lighting, a DSLR, and a tripod. My goal is to get a clean white background straight out of camera while keeping the subject properly exposed, with little or no post-processing.
My problem is that when I brighten the setup enough to make the background go pure white, the subject becomes overexposed. If I reduce exposure to protect the subject, parts of the background go gray.
I’ve tried repositioning the lights, moving the subject farther from the background, and using separate lights for the subject and background, but I’m still struggling to get both at once.
What lighting setup and exposure approach should I use with continuous lights to make the background white while preventing spill and overexposure on the subject?
Originally by Photography Stack Exchange contributor. Source · Licensed CC BY-SA 4.0
Photography Stack Exchange contributor
10y ago
2 Answers
6
You need more light on the background than on the subject. If all four of your lights are the same brightness, then you need to do two things:
- Insure that the lights illuminating the background are as close to the background as you can place them without being visible in the scene or creating uneven brightness on the background. Also insure that none of the light from them is spilling onto the subject. You may need to increase the distance between the subject and the background.
- Insure that the distance between the lights shining on your subject is a greater distance from your subject than the lights illuminating the background are from the background. Pull the lights shining on the subjects back until the ratio you desire between the subject and background is achieved.
Normally with white background product photography you want the background to be about two stops brighter than the subjects. If all of your lights are the same power, that equates to having the lights on the subjects at twice the distance as the lights on the background.
Originally by user15871. Source · Licensed CC BY-SA 4.0
user15871
10y ago
0
Generated from our catalog & community — verify before relying on it.
Treat the subject and background as two separate lighting jobs.
First, turn off the background lights and expose the subject correctly using only the subject lights. Adjust aperture and shutter speed until the subject looks right at ISO 100.
Then add the background lights. To make the background go white, it needs to be brighter than the subject, but that extra light must not spill onto the subject. To do that:
- place the background lights as close to the background as possible
- move the subject farther away from the background
- keep the subject lights farther from the subject than the background lights are from the background, so you can control the ratio
- use flags or other blockers if needed to stop background light hitting the subject
If you are working in a small white room, spill and reflections can make this difficult.
For very small objects, raising the object on a white block can help separate it from the floor/background so each can be lit independently. If the background is translucent, lighting it from behind can also help.
In short: set the subject exposure first, then brighten only the background until it clips to white without affecting the subject.
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