This isn't really an answer, but too much for a comment. I feel it needs to be established how the OP's workflow is set up

Can we establish some basics.

You don't "calibrate to sRGB or Adobe 98" you "calibrate/profile the screen to get a display icc profile". This then becomes your system default profile. Don't then change your displays at all - ie don't switch them to sRGB/Adobe98 etc, leave them right where they were, as calibrated.

Set your colour workspace to be your intended 'RGB' style, eg sRGB/Adobe98. [Ignore CMYK here] This can be based on your usual input files. I set mine to Adobe98 but use my camera's own version of that Adobe98 profile right the way through until export, then one conversion at export to sRGB etc.
Now your system can wrap & unwrap profiles to keep what you see on the screen matched to what Photoshop etc 'sees'.
Your printer profile you use on soft-proof & switch with Cmd/Y once defined. That's your basic workflow.

It's this ability of the system to "wrap & unwrap" profiles as necessary - it unconverts & reconverts without you needing to be aware, once it knows what & where they all are. The Mac is particularly good at this, so long as you put the right profiles in the right places & select as appropriate. You can then forget all about your RGB profiling & only need to worry about your printer profiles at export.