How many studio strobes do I need for product photography on a shooting table and ghost mannequin clothing shots?
Asked 11/10/2015
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I photograph shoes and bags on a shooting table with plexiglass, and I also want to shoot clothing on invisible/ghost mannequins. I’m considering an entry-level studio flash kit, but I’m concerned that a basic two-light setup won’t give me enough light for the background or from underneath the plexiglass table.
For these kinds of product and apparel shoots, is a starter two-strobe kit enough, or is it better to build a four-light setup? I’m mainly working in a studio, so portability isn’t very important. I’d also appreciate suggestions on what to prioritize when choosing budget studio strobes.
Originally by Photography Stack Exchange contributor. Source · Licensed CC BY-SA 4.0
Photography Stack Exchange contributor
10y ago
2 Answers
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The Metz is a starter studio set, but it might suit your needs very well.
Other options in a similar price range are Elinchrom D-Lite, Impact (B&H Branded strobes), Dynalight (re-branded versions of RimeLight from Korea) and a host of others you can find at B&H and Adorama.
Check their used equipment too. Sometimes you can score a great deal on a pro set for 20% and more off from new.
You should also look at Paul C. Buff. They have inexpensive kits that rival the top of the line flash systems for a fraction of the price.
Sounds like you won't travel with the flash, so durability might not be an issue.
It takes a little research to find what is right for your budget and your workflow.
Originally by user46278. Source · Licensed CC BY-SA 4.0
user46278
10y ago
0
Generated from our catalog & community — verify before relying on it.
A basic two-light kit can work as a starter, but for your subjects a four-light setup will give you much more control.
For shoes, bags, and especially a plexiglass shooting table, extra lights are useful for separately lighting the subject, the background, and adding light from below or behind the table. For ghost mannequin clothing shots, more lights also make it easier to evenly light the garment and background.
Since you’re mainly shooting in a studio, portability and rugged travel durability matter less than getting enough heads and modifiers for your workflow. Entry-level kits from brands like Metz can be fine to start with, but similar budget systems from Elinchrom D-Lite, Flashpoint/Impact, Dynalite-style options, or Paul C. Buff are also worth considering. Buying used can stretch your budget further.
In practice, if your budget allows it, two 2-light kits (for a total of four strobes) is a more flexible choice than a single 2-light kit. Prioritize enough lights, compatible modifiers, and reliable triggering over brand name alone.
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