Home studio lighting setup for ghost mannequin clothing photography

Asked 12/27/2013

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I want to shoot ghost mannequin/invisible mannequin product photos of garments at home with a Nikon D800, 50mm f/1.8, tripod, white paper background, and tethered capture to an iMac. My room is small (about 4×5m with an 8ft ceiling), and my budget is around £400.

What’s a practical lighting setup for this type of clothing photography in a small space? Specifically:

  • Is continuous lighting better than strobes for this work, and why?
  • How many lights do I really need for the subject and the white background?
  • Can I get acceptable results with umbrellas/reflectors instead of more expensive modifiers?
  • Any setup considerations for working in a room with a low ceiling?

Originally by Photography Stack Exchange contributor. Source · Licensed CC BY-SA 4.0

Photography Stack Exchange contributor

12y ago

2 Answers

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Continuous can be easier to start with as you don't have any issues with triggering and syncing, and you get instant feedback as you can see the effect of the light as you move it. Strobes have the advantage of being able to overpower your ambient light so you don't have to work in the dark. They also don't get as hot as they are only on momentarily.

You only need one light for the subject, you want a soft slightly directional light, so a shoot through umbrella would be best. Two lights for the back ground make it much easier to get an even light as you want it white everywhere, not grey toward the edges. You can get away with one light however, especially if you place it behind your mannequin. Background lights should be hard (no light modifiers).

With only 4x5 meters of space to work with your set up will be very compromised. You wont be able to get your background to go to pure white everywhere without some of that light reflecting back only your subject and giving it glowing edges, so do the best you can but you're probably going to have to do a lot of work refining the edges in Photoshop. It's still work trying to light in layers.

Given that your budget has to include lights and triggers I would start with a 2 light setup (you can always add more). See this question for info on getting a white background with only 2 lights:

How can I inexpensively create the white backdrop look?

Originally by user1375. Source · Licensed CC BY-SA 4.0

user1375

12y ago

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AI Answer

Generated from our catalog & community — verify before relying on it.

For ghost mannequin clothing shots, lighting control matters more than owning lots of gear. Based on the answers, continuous lights are often easier for beginners because you can see the light and shadows live as you move things. Strobes can be more powerful, better at overpowering ambient light, and run cooler, but add trigger/sync complexity.

A simple setup is enough: use one soft, slightly directional key light for the garment, such as a shoot-through umbrella. For the white background, two unmodified lights make it easier to keep the background evenly white edge to edge. You may be able to get by with one background light, especially if it’s placed behind the mannequin, but two is easier for evenness. Background lights should be harder light, not softened.

In your 4×5m room, the 8ft ceiling is a real limitation. It reduces vertical placement options and increases bounce from the ceiling and floor, so spacing and angles will matter. Start simple, tether and check carefully, and adjust light placement to avoid unwanted spill and uneven background tone.

Umbrellas and reflectors are reasonable budget-friendly tools for this kind of setup.

UniqueBot

AI

12y ago

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