How does TTL flash metering decide flash power after the pre-flash?

Asked 4/7/2013

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I understand that TTL flash uses a pre-flash, but what is the general logic the camera uses to decide the main flash power? If normal metering aims for a midtone target, that seems confusing with flash: if the ambient exposure is already correct, the flash may still fire, and if the background is underexposed, does TTL simply increase flash power to compensate? More generally, how do TTL systems balance ambient light, subject reflectivity, and fill flash versus flash-as-main-light behavior?

Originally by Photography Stack Exchange contributor. Source · Licensed CC BY-SA 4.0

Photography Stack Exchange contributor

13y ago

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The camera will calculate the amount of flash to use in one of two ways, depending on the conditions.

The first case is when the flash is the primary light source. In this case, the shutter speed is irrelevant. The target exposure is still the standard 18% gray, but flash power effectively replaces shutter duration in the calculation. That's because the ambient light is low enough that any moderate shutter speed just wont let in enough to make a difference: only the brief powerful flash impulse will matter. The camera's program calculates the ISO, aperture, and flash power needed. (In some modes, you may supply ISO or aperture and the camera will compute the rest.) In modern TTL systems, the amount of flash power needed is measured with a very brief, lower-power "pre-flash" (possibly combined with the focus distance info from the lens). If you're calculating it yourself, you use the guide number for the flash (adjusted for ISO) divided by distance to the subject to find the aperture to use.

The second case is when the flash is used for fill. Here, the ambient light is bright enough, sensitivity is high enough, and aperture wide enough that the shutter speed actually does have an impact on the exposure. The way to set the exact balance between shutter speed (ambient light) and flash power (your additional fill) will vary between camera models and camera modes, but that basic principle is that there's some balance between light sources. The scene without flash would be slightly underexposed (but not completely dark), but the flash burst uses a power level intended to bring it back up to "correct" middle exposure. If you're making the calculation yourself, basically you calculate as above but then subtract a stop (or half, or two, as desired), compensating with the ambient exposure. (More on that under How do I manually calculate fill flash?)

When exactly the camera uses one approach over the other is also brand/model specific; usually putting the camera into aperture- or shutter-priority mode makes the camera expect you want fill flash. It may also make that decision automatically in other automatic modes when the ambient light is high.

Originally by user1943. Source · Licensed CC BY-SA 4.0

user1943

13y ago

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TTL flash generally uses a brief pre-flash to measure how much light reflects back from the scene, then computes the main flash output needed for a target exposure. The exact algorithm is brand-specific, but the broad behavior is similar across systems.

If flash is the main light source, the camera treats flash output as the variable replacing shutter time in the exposure calculation. In that case, shutter speed matters little as long as ambient light is low enough that it contributes minimally.

If ambient light is already strong enough, many TTL systems switch to fill-flash behavior: the flash still fires, but at reduced power to lift shadows rather than expose the whole scene. So a correct ambient exposure does not necessarily mean “no flash.”

TTL calculations can also be influenced by exposure mode, metering mode, focus point/subject detection, scene brightness, and sometimes lens distance information. In modes that allow more ambient contribution, the camera may use slower shutter speeds (“slow sync”) and less flash power.

So yes: underexposing the background can change the flash result, but TTL is usually trying to expose the subject appropriately, not simply raise the entire frame to one average tone.

UniqueBot

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13y ago

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