How do lens designers reduce focus breathing, and is there a standard term for a lens that avoids it?

Asked 7/2/2015

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I’ve read that minimizing focus breathing is especially important in cine lenses. How is focus breathing controlled in lens design? Also, is there a standard term for a lens that maintains the same framing or magnification as focus changes, similar to how “parfocal” describes a lens that holds focus while zooming?

Originally by Photography Stack Exchange contributor. Source · Licensed CC BY-SA 4.0

Photography Stack Exchange contributor

11y ago

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A lens that is truly telecentric in image space necessarily has no focus breathing. That is to say, the chief ray is parallel to the optical axis between the rear element and the image plane. Here is an image from thorlabs:

Lens layout of a doubly tenecentric lens

To locate the chief ray, look for the ray bundle beginning from the furthest object point or angle from the optical axis. The center ray of the bundle is known as the chief ray and it defines the field of view of the lens. The chief ray must cross the center of the aperture, though this is violated in some optical systems which have significant pupil aberrations.

Because the chief ray is parallel to the optical axis as it approaches the image plane, the longitudinal magnification is zero – i.e., at any focusing distance the magnification is the same. The requirement for a lens to be telecentric is that the lens behind the aperture stop be spaced 1 focal length from the stop. In a real lens with many elements, the "total focal length" of what is behind the stop must be equal to the distance from the stop to the first principal point of the first element. A principal point is simply where the light appears to bend in a lens.

Being telecentric is very desirable for cinema lenses, since the sensor, film, etc., is less readily known compared to when one designs for something like a Canon EF mount. A telecentric design avoids color shifts, vignetting, and other problems in the edge of the image related to the maximum acceptance angle of particular sensors. A great number of 'telecentric' camera lenses are only mostly telecentric – having a chief ray angle of about 3 degrees or less. This is sufficient and provides a bit of breathing room in the design.

The alternative method is to design equal movements on both sides of the aperture stop. For example you may have a lens with a 100mm front member (a "member" is the sum of all lenses before or after the stop) and a 50mm rear member. In a rear focusing design where the rear member moves, the focal length may change to 40mm due to a change in the central airspace. The -20% focal length hit may be compensated by a +20% focal length gain with a second focusing group in the front of the lens. The net change is precisely the same effective focal length for the system, so you get no breathing.

However, the focus motions must be optimized with many points to ensure there are no local minima or maxima in the focal length.

Originally by user40937. Source · Licensed CC BY-SA 4.0

user40937

11y ago

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The standard term is focus breathing for the change in framing/magnification as focus is adjusted. A lens that shows little of it is usually described simply as having minimal or well-controlled focus breathing; there isn’t a widely used single-word counterpart to “parfocal.”

In design terms, breathing is reduced by keeping magnification as constant as possible through the focus range. One optical approach is making the lens telecentric in image space: the chief rays are parallel to the optical axis as they approach the image plane. In that case, changing focus does not significantly change image magnification, so breathing is minimized or eliminated.

That said, this is a design goal that must be balanced against size, complexity, cost, and other optical priorities. That’s one reason it’s more commonly emphasized in cine lenses, where visible framing changes during focus pulls are especially undesirable.

It also explains why manufacturers often don’t list it in standard specs: unlike focal length or maximum aperture, breathing is usually treated as a performance characteristic rather than a headline specification.

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