How do I avoid a translucent subject in a light-painted portrait?
Asked 12/1/2015
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I’m trying to make a portrait with light painting, but the person looks transparent in the final image. My current method is to use Manual mode, set a long exposure (around 30 seconds), fire the flash at the start, and then have the subject do the light painting or move after the flash. How can I keep the person looking solid while still capturing the light painting?
Originally by Photography Stack Exchange contributor. Source · Licensed CC BY-SA 4.0
Photography Stack Exchange contributor
10y ago
2 Answers
17
If you want the light painting to appear behind subjects without them being transparent, the subject has to stay in place for the whole exposure. So, obviously, somebody else has to do the painting part.
You can actually see a "ghost" of the helper in the sample image behind the woman's back. For better disguise, the helper should be dressed in black clothing.
Originally by user4390. Source · Licensed CC BY-SA 4.0
user4390
10y ago
0
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Your subject looks translucent because they’re still being recorded during the long exposure after the flash fires. The flash freezes them for an instant, but any additional light hitting them afterward creates a ghosted overlay.
To keep the subject solid:
- Keep the subject as still as possible for the entire exposure.
- Make sure little or no light falls on the subject after the flash.
- Use a dark background and dark surroundings where the subject stands.
- Ideally, have someone else do the light painting while the subject stays in place.
- The light painter should move quickly and wear dark clothing to avoid being seen.
A stronger flash can help make the flashed portrait dominate the exposure, but it won’t fully fix the problem if the subject keeps moving in visible light.
If you can’t avoid movement, a practical alternative is to shoot two frames—one for the portrait and one for the light painting—and blend them later in post-processing.
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