How can I reduce strobe exposure in a studio while keeping a wider aperture?
Asked 3/23/2015
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I’m shooting in a studio with a paper backdrop lit by a gridded light for a gradient effect, and my subject is about 3 feet in front of the background with separate umbrella lighting. Even at ISO 100, 1/250s (max sync), minimum strobe power, and f/22, the image is still overexposed.
I’d like to avoid shooting at my smallest aperture because I want more flexibility and a little less background detail/texture in focus. What are the best ways to cut the amount of flash light reaching the camera or subject in this kind of setup?
Originally by Photography Stack Exchange contributor. Source · Licensed CC BY-SA 4.0
Photography Stack Exchange contributor
11y ago
2 Answers
3
I think the approach will depend on several things: if the light is soft or harsh, if the overexposed illumination is over the entire scene or just a part of it.
ND Filter
If the entire scene is lit then you can try using a ND filter. If you use a 4x ND filter you can reduce the exposure from f22 to f11 or with an 8x to f8. A polarizing filter will also cut light if you don't have reflective surfaces or already polarized light.
Soft light
You can try using ND gel filters for the lights. You can also use wax paper to lower the light on individual strobes. Put the paper or gel over the flash head. Just be careful to ensure that the paper you are using doesn't change your white balance.
Harsh light
You can use a cardboard of black paper to make a mask on the light and move your lights further away. Twice the distance = 1/4 the light. Use the cardboard to maintain a similar shape regardless of the light distance.
The gel flash filters can also work but probably can scatter the light a bit. The wax paper option will diffuse it, but it is still an option if you have a considerable distance to your subject.
The cheaper way
Just put your lights further away.
Originally by user37321. Source · Licensed CC BY-SA 4.0
user37321
11y ago
0
Generated from our catalog & community — verify before relying on it.
Yes. In studio flash, once you’re at max sync speed, shutter speed won’t reduce the strobe exposure much—mainly ambient light—so the practical fixes are to reduce flash intensity another way.
Good options:
- Use an ND filter on the lens to cut all the light and let you open the aperture.
- Add ND gel/diffusion to individual lights to reduce output selectively.
- Increase the distance between lights and subject/background; the inverse square law makes light fall off quickly.
- Move the subject farther from the backdrop and flag/grid the lights to reduce spill.
- Double-check that the camera really is at ISO 100 and the strobes are truly at minimum power.
If your setup is still overexposed at ISO 100, 1/250, and f/22, it’s also worth verifying settings because that is an unusually high amount of light for many studio setups.
If your lights simply don’t go low enough for close work, lower-powered flash units (for example speedlights) can be easier to control than stronger monolights.
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