How can I make a white background blow out evenly with one speedlight?
Asked 1/12/2017
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I’m shooting clothing on a model against a white backdrop using a single Yongnuo YN560 II to light the background. Depending on where I place the flash, one side or the top of the background blows out while other areas stay gray. Would an umbrella help spread the light more evenly? Should I move the flash farther from the backdrop, and what power/zoom settings are best to make the whole background pure white?
Originally by Photography Stack Exchange contributor. Source · Licensed CC BY-SA 4.0
Photography Stack Exchange contributor
9y ago
2 Answers
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You're making this way too hard. You don't need to light the backdrop perfectly evenly. If the dimmest area of the backdrop is blown out the rest of the backdrop will be equally blown out. There is no shade of white brighter than blown out.
Here's the problem with using an umbrella to diffuse the light or moving the light further back: You're lowering the amount of the flash's output that makes it onto each square inch of the background. That's going to make the backdrop dimmer overall. This means you're more likely to get varying brightness levels from different parts of the backdrop.
The key to getting uniform white backgrounds isn't illuminating them evenly. It is making sure the dimmest part of the white background is lit bright enough to be pure white with the ISO and aperture you are using. (Shutter time matters also for constant lights but not for strobes since the strobe's duration is usually shorter than the camera's sync speed.)
It doesn't matter if one side of the backdrop is getting more light than the other. You just need to expose in such a way that the dimmest part of the backdrop is completely blown out. You'll find this easiest to do if the flash lighting the backdrop is at full power (assuming it isn't too bright as to create a lot of spill back onto your subject).
If the dimmest part of the backdrop is pure white in your resulting photo the entire backdrop will be pure white. There's no way for the brighter parts of the backdrop to be brighter or whiter than pure white in the resulting image.
Once you've got the exposure right for the backdrop you can then adjust the power of the other light(s) to properly expose your subject at the same ISO and aperture.
Originally by user15871. Source · Licensed CC BY-SA 4.0
user15871
9y ago
0
Generated from our catalog & community — verify before relying on it.
With one flash, the goal is not perfectly even illumination—it’s making sure the darkest part of the white backdrop is bright enough to clip to pure white. Once the dimmest area is blown out, the brighter areas will also read white.
An umbrella or moving the flash farther back can spread the light, but both also reduce the light reaching the backdrop, so they may make it harder to blow out the background. A better approach is usually:
- place the model farther from the background
- put the flash as centrally as possible behind or near behind the model
- set the flash zoom to its widest setting to increase coverage
- experiment with flash position and angle
You can also angle the backdrop so its different areas are more equal in distance from the flash, which can reduce side-to-side falloff.
More distance between model and background also helps reduce background spill wrapping onto the model.
In short: use the widest flash spread, maximize separation between subject and background, and position the flash so the darkest part of the backdrop still blows out. Adjust flash power as needed for your chosen ISO/aperture.
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