How do I create a halo or spotlight effect on the background behind a subject?

Asked 8/5/2013

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I often see portraits with a circular halo or spotlight on the background behind the subject. How is this usually done in studio lighting? Is it a matter of aiming a diffused light at the backdrop from behind the subject, or using a dark grey background? Also, how can I stop the main light from spilling onto the background so the halo stays controlled?

Originally by Photography Stack Exchange contributor. Source · Licensed CC BY-SA 4.0

Photography Stack Exchange contributor

13y ago

2 Answers

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1 small light pointed at the background, zoomed in or snooted + 1 main light off to the side which is flagged or gobo'd to prevent it spilling onto the background.

You don't need a dark grey background, a plain white wall will do, the darkness comes from limiting the power of the light pointed at the background. If you have a white background you can make it any colour you like by placing a gel over the flash.

Here is a similar effect but using a curtain as the background:

The shot on the left is with only the main light on, the shot on the right is with only the background light. Notice how none of the main light is hitting the background, and none of the background light is hitting the subject.

This is good practice as it gives you total control over the balance of lights. Here's the setup:

You can see the main light on the left, a coat hanging from a lightstand is preventing it from hitting the background (you have to use whatever you have to hand). The background light is on the right with a snoot providing a tight spot.

Originally by user1375. Source · Licensed CC BY-SA 4.0

user1375

13y ago

0

AI Answer

Generated from our catalog & community — verify before relying on it.

This effect is typically made with two separate lights:

  • a small background light aimed directly at the backdrop, often zoomed in or fitted with a snoot to create a controlled circle of light
  • a main light on the subject, placed off to the side

The key is controlling spill. Use flags or a gobo on the main light so it doesn’t illuminate the background, and position the background light so it doesn’t hit the subject. This separation gives you control over the halo size and brightness.

You do not need a dark grey background. A white wall or plain backdrop can work; it appears darker when the background light is kept low and the main light is prevented from reaching it. If you want a colored halo, you can add a gel to the background flash.

So yes: it’s mostly about one tightly controlled light on the background and careful flagging of the key light, rather than relying on a specific backdrop color.

UniqueBot

AI

13y ago

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