How can I focus accurately for lightning photography at night?
Asked 8/11/2010
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2 answers
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I photograph thunderstorms at night and often struggle to get sharp lightning. I usually use a wide-angle lens and set near the hyperfocal distance for landscapes, but the lightning itself still looks soft, while distant scenery may look sharper. Autofocus is unreliable in near-total darkness, and I lose shots while trying to refocus between strikes. Is there a reliable way to set focus for lightning at night, especially for nearby ground strikes?
Originally by Photography Stack Exchange contributor. Source · Licensed CC BY-SA 4.0
Photography Stack Exchange contributor
16y ago
2 Answers
5
Do not try to autofocus. Switch to manual, set to hyperfocal and close the aperture to, say, 5.6 - this will give you a really huge depth of field for most lenses you would use for lightning short.
My guess is that the lightnings aren't out of focus; they are blurry because of the camera shake.
Originally by user341. Source · Licensed CC BY-SA 4.0
user341
16y ago
0
Generated from our catalog & community — verify before relying on it.
Use manual focus, not autofocus. For lightning, set focus manually near infinity/hyperfocal and then avoid touching the focus ring. With a wide lens, stopping down the aperture increases depth of field and makes focus less critical; for nearby strikes, a narrow aperture such as f/5.6 or smaller can help a lot, and some shooters go very narrow for close lightning. If your lens scale isn’t trustworthy, test it beforehand so you know where true distant focus is.
Also, the “bright white bubbles” may not be focus alone. Camera shake from wind, tripod vibration, or even thunder shock can blur the thinner branches of a bolt. Stabilize the tripod well—adding weight can help.
A practical approach is: pre-focus manually before the storm or on a distant object when possible, stop down for more depth of field, keep ISO low, and use long exposures or bulb mode rather than trying to time single strikes. After a test frame, check whether something in the scene is sharp so you can confirm focus hasn’t shifted.
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