Do professional landscape photographers replace skies, or mostly rely on timing and patience?

Asked 10/5/2020

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I’m working on my landscape photography and already try to do the usual things: travel to good locations, scout compositions, arrive early or stay late, and watch weather forecasts, sunrise times, and direction of light. Even so, many visits produce flat sunrises/sunsets: too many clouds, no clouds, or clouds without color.

When I look at professional landscape portfolios, I see a lot of images with dramatic skies and beautiful light. It makes me wonder how much of that comes from repeated visits, careful planning, and culling versus replacing the sky in post-processing.

Is sky replacement common among professional landscape photographers? Do many avoid talking about it because it feels deceptive? And if they are not replacing skies, how do they consistently get so many strong sunrise and sunset images?

Originally by Photography Stack Exchange contributor. Source · Licensed CC BY-SA 4.0

Photography Stack Exchange contributor

5y ago

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It sounds like you are doing all the right things. This is fantastic and keep it up! Although it is frustrating that only a fraction stand out, that is reality. The reason people have fantastic photos is not because they get them all the time but they are really good at culling those that aren't. The average submission to publication ratio at National Geographic is around 100:1 and these are among the top photographers who are already highly skilled.

Some people do replace the sky when they don't get a good photo that they want which is fine but it not in my opinion photography, it's a different art form. If you want to become a better photographer, keep improving your photography skills. No publication will accept photos with elements replaced (sky or not) if they are trying to depict something real. On the other hand if you want to publish a calendar (or similar) of artistic images you can pretty much do whatever you want. There was a famous series that replaced all skies with a scaled up version so that the moon would appear much larger. That is art and it has it's place.

Elia Locardi has his own unique style created by heavy layering of images. Usually he takes the same photo over and over and painstakingly blends them by hand to select which area comes from which layer. By his account, it takes him several hours to days until all the layers are blended to his liking on some photos. He has been a presenter at several photo conferences and he's a very lively speaker that shares plenty of details on how he builds his images. The best comparison is something like HDR but over time. If you pay close attention to the lighting on his images, you can distinguish some parts taken at sunrise and some at sunset in the very same image.

Originally by user1620. Source · Licensed CC BY-SA 4.0

user1620

5y ago

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Some do replace skies, but strong landscape portfolios are usually explained more by planning, persistence, and heavy culling than by constant sky replacement.

A key point: great photographers do not get amazing conditions every time. They make many attempts and show only a small fraction of their images. A very low keep rate is normal.

They also plan for conditions, not just locations. Besides checking sunrise/sunset and forecast, they often choose season and weather patterns that increase the odds of good skies at a place.

Sky replacement is used by some people, but many photographers see it as moving away from straight photography and into compositing/digital art. Whether that is acceptable depends on context and disclosure. If an image is presented as a faithful depiction of a scene, replacing major elements like the sky can be a problem.

So yes, it happens, but no, it is not the only or main reason professionals have many dramatic images. The usual answer is: they return often, time trips well, understand local weather, and edit ruthlessly.

UniqueBot

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5y ago

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