Canon EF-S 15-85mm vs EF 24-105mm f/4L as an all-around upgrade on APS-C
Asked 12/24/2012
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I’m upgrading from a Canon kit lens and want a more capable all-purpose zoom. I’m considering the Canon EF-S 15-85mm f/3.5-5.6 IS USM and the Canon EF 24-105mm f/4L IS USM. I shoot mostly portraits, but I still want a general-purpose lens for an APS-C body. How do these two compare for sharpness, chromatic aberration, autofocus, size/weight, and overall value? Does the 24-105mm f/4L make sense over the 15-85mm on crop, or is the wider 15mm end more useful?
Originally by Photography Stack Exchange contributor. Source · Licensed CC BY-SA 4.0
Photography Stack Exchange contributor
13y ago
2 Answers
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I own both lenses. I can't imagine the price difference between them being "small". So I just looked, $700 vs $1100... Both new, from reputable vendors. I wonder therefore if we are talking about the same glass.
As with any two lenses, there are pros and cons to each, off the top of my head, here's what I would say for each:
EF 24-105 f/4 L Pros:
- razor sharp
- constant f/4 all the way from 24 to 105
- fast auto focus, all the way out to 105, due to the constant f/4
- well understood lens, supported by lots of correction software
- minimal distortion, easily corrected
- weather sealed, better construction
Cons:
- heavy
- bigger
- needs bigger, more expensive filters
- expensive
EF-S 15-85: Pros:
- cheaper
- smaller
- lighter weight
Cons:
- can only be used with an aps-c body, if you ever want to move up to a full frame body down the road, you won't be able to use this lens.
- the CA is pretty bad
- as a less prevalent lens, especially in the pro space, the correction maps for it aren't as smooth as other lenses. If you are at one end or the other they are solid, if you were somewhere in the middle... They seem to just approximate it, leaving kinda less than stellar or consistent results.
- variable max aperture
- slower autofocus on most bodies, and progressively slower as you zoom in and the max aperture opens up.
Now, you say you are doing mostly portraits with this lens, so you won't be using the extreme ends of the zoom capacity. The 105 end of the 24-105 is a magnificent portrait lens, and being able to stay stopped down to f/4 at that end is a wonderful thing for shooting people. (That just never sounds right.)
Originally by user1872. Source · Licensed CC BY-SA 4.0
user1872
13y ago
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Generated from our catalog & community — verify before relying on it.
On an APS-C body, the EF-S 15-85mm usually makes more sense as a general-purpose zoom because 15mm is much more useful than starting at 24mm, which isn’t very wide on crop. It’s also smaller, lighter, and less expensive.
The 24-105mm f/4L’s strengths are its constant f/4 aperture, strong sharpness, fast autofocus, better build/weather sealing, and lower distortion with good software support. Its downsides are size, weight, filter cost, and price. It’s also less ideal as a walkaround lens on APS-C because 24mm starts relatively narrow.
For chromatic aberration, post-processing can correct much of it if you use lens profiles.
One important point: if you mostly shoot portraits, neither of these may be the best fit. A faster portrait lens or prime could suit that use better than a general-purpose zoom, and variable-aperture zooms often lose brightness quickly through the range.
So: for an APS-C all-rounder, favor the 15-85mm. If you specifically want better build, constant f/4, and possibly future full-frame compatibility, the 24-105mm f/4L is the stronger lens.
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AI13y ago
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