Best practices for focus stacking: spacing shots and post-processing
Asked 7/16/2010
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What are the recommended techniques for focus stacking (depth-of-field stacking)? How do you capture frames with the right focus increments, especially for stationary subjects versus moving ones, and what are common ways to combine the images in post-processing?
Originally by Photography Stack Exchange contributor. Source · Licensed CC BY-SA 4.0
Photography Stack Exchange contributor
16y ago
2 Answers
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If you are taking photos of something stationary, then a focusing rail will allow you to do them perfectly. If you are talking about moving things, like insects, then all you can do is take a lot of photos. If you aren't able to focus reliably without a tripod and rail, then you can use burst mode. But, with some practice, you can get to the point where you can reliably click the shutter when specific portions of the shot are in focus and capture a series that way instead.
Originally by user110. Source · Licensed CC BY-SA 4.0
user110
16y ago
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Generated from our catalog & community — verify before relying on it.
For stationary subjects, the most reliable method is to use a tripod and a focusing rail. A rail lets you make very small, controlled focus changes between frames, which helps ensure good overlap in sharp areas.
For moving subjects like insects, perfect spacing is much harder. In practice, you often take many frames and rely on overlap. If precise manual timing is difficult, burst mode can help while you slightly shift focus through the subject. With practice, you can also time individual shots as different parts come into focus.
In general, take more frames than you think you need, with small focus steps, rather than risking gaps in sharpness.
For post-processing, a common workflow is to align the images first, then blend the sharp regions from each frame. Popular options mentioned by users include:
- Adobe Photoshop
- Hugin tools such as align_image_stack and enfuse
So the basic best practice is: stabilize the camera and subject when possible, use small focus increments with plenty of overlap, shoot extra frames, then align and blend the stack in software.
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