Canon EOS R5 C VR Content Creator Kit - (R5C 3D Camera)


Key Features
Canon EOS R5 C Camera
- Precise Video Control for the Dedicated Video Professional
- Supprots 8K/60p Internal RAW Recording
- Up to 4K 120p Slow and Fast Motion Recording Mode in 4:2:2 10-bit
- Canon Log 3 Expands Expressive Possibilities
RF 5.2mm f/2.8 L Dual Fisheye Lens
- Digital Interchangeable Lens Capable of Enabling Stereoscopic 3D 180° VR Shooting to a Single Image Sensor
- Streamlined VR Workflow
- Stereoscopic 3D with a Interpupillary Distance of 60mm for Natural Parallax and 190° Field of View
OVERVIEW
Unlock your creative potential and immerse your viewers in a while now dimension of filming with the VR Content Creator Kit from Canon. This kit gives you the tools to create using Canon's EOS VR System, beginning with the RF 5.2mm f/2.8 L Dual Fisheye Lens, which features a beautifully engineered and optimized folder optical design with separate Left and Right optical systems. These are what help you capture stereoscopic 3D imagery with a 190° field of view to a single full-frame image sensor. Also included is the EOS R5 C, a full frame hybrid camera that expertly combines many of the video formats and features from the Canon Cinema EOS lineup with the distinguished still-imaging capabilities of the EOS R System.
Shares Common Features & Technology with the EOS R5 Camera
Canon’s 45 Megapixel full-frame, CMOS imaging sensor is at the heart of the EOS R5 C camera’s superb image quality, which also leads the way for impressive 8K/60P RAW cinematic video shooting.
Focus and speed are paramount in the EOS R5 C camera, providing impressive still-image continuous capture at speeds of up to 20 frames per second, and with Dual Pixel CMOS AF II capability, to track split second movements of even the most elusive subjects. With 1,053 Automatic AF zones, it is easy to photograph people with the use of Eye, Face and Head Detection AF, or intuitively track the whole body, face or eye of cats, dogs, or birds with Animal Detection AF. For those with the need for speed, Canon has also included still-image vehicle subject detection to assist with accurate tracking of cars and motorcycles. Connectivity like 5GHz and 2.4GHz Wi-Fi® and Bluetooth®, is also included for the transfer of still images.
Video control for the dedicated video professional
As soon as the EOS R5 C’s main switch is moved to the “video” position, the familiar Cinema EOS menu system and interface take over. Expected high-level video features such as waveform monitors, video codec options, and extensive audio control become available — greatly expanding the EOS R5 C’s video potential for the experienced camera operator or video content creator. During “photo” operation, menus are nearly the same as on the EOS R5 camera.
Supports 8K/60P Internal RAW Recording
The 8K sensor and DIGIC X processor produce high-quality video at up to 8K/60P. Use of the Cinema RAW Light format with its high-efficiency mode enables internal card recording without an external recorder.
Internal Cooling Fan Enables Non-stop 8K/60P Recording
The EOS R5 C camera features a cooling fan built into the body, forcing out the heat from inside. This enables continuous and virtually limitless shooting of high-definition 8K/60P video without interruption.
Expanded Interface for Professional Needs
The EOS R5 C camera provides a Timecode input/output terminal for easy synchronization when shooting with multiple cameras and other interfaces. A cable protector is also included as standard to prevent cable disconnection or damage to the terminal if strong force is applied when connecting interface or HDMI cables.
Canon’s Multi-function shoe with digital audio interface supports the optional TASCAM CA-XLR2d-C professional audio XLR microphone adapter for up to 4-channel audio. This optional accessory adds two full-sized XLR terminals with phantom power and shotgun mic mount, enabling digital 4-channel and 24-bit audio recording to meet professional video production needs.
Carries on the Ergonomic EOS Design
The EOS R5 C camera’s body design is incredibly compact and lightweight. When paired with a Canon RF lens (or EF lens using the Mount Adapter EF-EOS R), it offers outstanding performance that fits easily and comfortably in your hand, making handheld shooting a breeze whether shooting video or still images. Its Electronic Viewfinder is optically extended, for eye-level viewing similar to the conventional EOS R5 camera, and it uses the same ergonomic grip design.
Full-featured 13 Assignable Buttons
The EOS R5 C camera is designed with operational flexibility in mind, conforming to each individual professional workflow, including 13 marked, assignable buttons that allow for user-friendly customized operation.
8K Sensor and DIGIC X Processor
The EOS R5 C camera is the first Cinema EOS System Camera to provide internal 8K (8192x4320) 60P RAW recording. 8K video offers outstanding definition and realism with 16 times the resolution of full HD video, enabling unprecedented capabilities in video expression and highly flexible workflows, such as 4K cropping from 8K footage. The EOS R5 C camera can also record 8K video in the highly versatile MP4 format. Lighter, smaller proxy video files can also be recorded while shooting 8K. This makes for an efficient workflow during editing, previewing, and other tasks.
Internal Cinema RAW Light up to 8K/60P
The camera supports recording of two 8K formats, both Cinema RAW Light, which is amazing for post-production grading and archiving, or MP4, which is optimized for faster online use. Formats can be selected according to the user’s needs. In addition, 5.9K in Super 35mm mode and 2.9K in Super 16mm mode are also available for internal recording to CFexpress cards.
Cinema RAW Light can be recorded internally with data optimized for HDR video rendering. Cinema RAW Light video files have been optimized for better efficiency to achieve 12-bit recording in all frame rates.
Thanks to three newly-developed Cinema RAW Light modes (High quality RAW HQ, standard quality RAW ST, and Light recording RAW LT), users can select the RAW video mode according to their shooting needs.
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Cinema RAW Light |
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Sensor |
High quality |
Standard quality |
Light recording |
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mode |
RAW HQ |
RAW ST |
RAW LT |
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12bit RAW |
12bit RAW |
12bit RAW |
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FF |
--- |
8K 30P / 2.0 Gbps |
8K 60P / 2.6 Gbps |
|
S35 |
5.9K 30P / 2.12 Gbps |
5.9K 60P / 2.1 Gbps |
5.9K 60P / 1.4 Gbps |
|
S16 |
2.9K / 60P 1.07 Gbps |
2.9K / 60P 529 Mbps |
2.9K / 60P 344 Mbps |
Supports 8K HDR Recording (HLG/PQ)
The combination of ultra-high-definition 8K recording and HDR lets users shoot more realistic and lifelike video. The EOS R5 C camera supports HDR recording in Hybrid Log Gamma (HLG) and Perceptual Quantization (PQ) formats. This helps ensure full color rendition and wide latitude with a great range from black to pure white – outstanding for the delivery of live streams, broadcasts and post-production projects.
Wide Variety of Recording Formats
The EOS R5 C camera offers users a wide variety of recording formats to choose from to fit individual workflows and output needs. Along with Cinema RAW Light, which provides light data sizes for RAW recording, the EOS R5 C camera supports MXF-based XF-AVC, which conforms to broadcasting standards, and highly versatile MP4.
Cinema RAW Light
- Three newly-developed modes: High quality RAW HQ, Standard quality RAW ST, and Light recording RAW LT
- 12-bit sampling depth
XF-AVC
- MXF compliant
- 4K 60P Intra & Long GOP
- H.264
- Interlace recording
MP4
- High versatility
- HEVC & H.264
|
Format |
Sampling |
Codec |
Intra/LGOP |
Resolution |
Frame rate |
Bit rate |
|
Cinema RAW Light |
12bit |
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(Intra) |
8192 x 4320 |
59.94p/50.00p/29.97p/25.00p/24.00p/23.98p |
2.6G bps |
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5952 x 3140 |
59.94p/50.00p/29.97p/25.00p/24.00p/23.98p |
2.1G/1.4G bps |
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|
2976 x 1570 |
59.94p/50.00p/29.97p/25.00p/24.00p/23.98p |
1080M/529M/344M bps |
|
XF-AVC |
422 |
H.264 |
Intra |
4096 x 2160 |
59.94p/50.00p/29.97p/25.00p/24.00p/23.98p |
810M/410M bps |
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10bit |
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(All-I) |
3840 x 2160 |
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2048 x 1080 |
59.94p/50.00p/29.97p/25.00p/24.00p/23.98p |
310M/160M bps |
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1920 x 1080 |
59.94p/50.00p/29.97p/25.00p/24.00p/23.98p |
310M/160M bps |
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59.94i/50.00i |
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LongGOP |
4096 x 2160 |
59.94p/50.00p/29.97p/25.00p/24.00p/23.98p |
260M/160M bps |
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|
3840 x 2160 |
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2048 x 1080 |
59.94p/50.00p/29.97p/25.00p/24.00p/23.98p |
50M bps |
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|
1920 x 1080 |
59.94p/50.00p/29.97p/25.00p/24.00p/23.98p |
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59.94i/50.00i |
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1280 x 720 |
59.94p/50.00p |
24M bps |
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420 |
|
|
2048 x 1080 |
59.94p/50.00p/29.97p/25.00p/24.00p/23.98p |
35M/24M bps |
|
|
8bit |
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|
1920 x 1080 |
59.94p/50.00p/29.97p/25.00p/24.00p/23.98p |
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|
59.94i/50.00i |
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|
1280 x 720 |
59.94p/50.00p |
17M bps |
|
MP4 |
422 |
HEVC |
LongGOP |
8192 x 4320 |
29.97p/25.00p/24.00p/23.98p |
540M bps |
|
|
10bit |
|
|
7680 x 4320 |
|
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|
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|
4096 x 2160 |
59.94p/50.00p/29.97p/25.00p/24.00p/23.98p |
225M/135M bps |
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|
3840 x 2160 |
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|
2048 x 1080 |
59.94p/50.00p/29.97p/25.00p/24.00p/23.98p |
50M/12M bps |
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1920 x 1080 |
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1280 x 720 |
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|
420 |
|
|
8192 x 4320 |
29.97p/25.00p/24.00p/23.98p |
400M bps |
|
|
10bit |
|
|
7680 x 4320 |
|
|
|
|
|
|
|
4096 x 2160 |
59.94p/50.00p/29.97p/25.00p/24.00p/23.98p |
170M/100M bps |
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|
|
3840 x 2160 |
|
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|
|
2048 x 1080 |
59.94p/50.00p/29.97p/25.00p/24.00p/23.98p |
35M/9M bps |
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1920 x 1080 |
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1280 x 720 |
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|
420 |
H.264 |
|
4096 x 2160 |
59.94p/50.00p/29.97p/25.00p/24.00p/23.98p |
150M/35M/8M bps |
|
|
8bit |
|
|
3840 x 2160 |
|
|
|
|
|
|
|
2048 x 1080 |
59.94p/50.00p/29.97p/25.00p/24.00p/23.98p |
9M/6M bps |
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1920 x 1080 |
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1280 x 720 |
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Simultaneously Record Different Formats
The EOS R5 C camera is capable of recording two independent video files simultaneously, such as Cinema RAW Light and MP4 at various resolutions including 4K and HD, as well as lightweight proxy files for various professional workflows.
XF-AVC and MP4 Codecs for 10-bit 4:2:2 Video
In addition to Cinema RAW Light, the EOS R5 C camera offers XF-AVC and MP4 codecs to provide familiar and trusted codecs for easy ingestion and post-production workflows across cinema, broadcast, and many professional markets and applications. XF-AVC offers robust 10-bit 4:2:2 files in a .MXF wrapper for simple compatibility with non-linear editing systems (NLEs) and existing workflows.
4K and 2K Oversampling
The EOS R5 C camera reads out signals for all effective pixels from its full-frame 8K sensor, enabling 4:2:2 10-bit high-definition recording through oversampling during 4K and 2K video recording. A high-definition debayer algorithm has been included and the 4K generated from the abundant RGB data of the 8K sensor enables more refined imaging capabilities with less incidence of moiré, false colors, “jaggies” and noise.
HDMI 8K RAW Output to Compatible Recorders
The EOS R5 C camera supports RAW output via HDMI and ProRes RAW recording with compatible external recorders such as Atomos devices. By connecting the EOS R5 C camera with a supported external recorder, users can shoot in Apple ProRes RAW at up to 8K 30P. Proxy data can also be simultaneously recorded to an SD card in-camera, providing efficient post-production operations.
Up to 4K 120P Slow and Fast Motion Recording Mode in 4:2:2 10-bit
The EOS R5 C camera can record High Frame Rate (HFR) movies at up to 120P at 4K resolution (4096x2160/3840x2160) in 4:2:2 10-bit without cropping the sensor.
Amazing for shooting scenes full of fast-paced action, the EOS R5 C camera’s fast and intuitive autofocus remains enabled even during HFR recording, making it ideal when shooting from a gimbal or drone, delivering outstanding focus accuracy at HFR or at common frame rates.
Simultaneous Audio Recording Enabled with HFR
Unlike some other cameras where audio is not recorded during HFR shooting, the EOS R5 C camera can record .WAV audio as a separate file from video, virtually eliminating the need for separate audio recording and delivering HFR video and audio files in one convenient device when shooting slow motion or fast motion video.
Canon Log 3 Expands Expressive Possibilities
The EOS R5 C camera features Canon Log 3, which is found in many Canon cameras and works with multiple Canon EOS and Cinema EOS cameras. The wide dynamic range can be used for a wider range of grading after shooting. Canon Log 3 is a gamma that is designed for simple grading, such as tightening dark areas and adjusting tones. It carries on Canon Log’s ease of use with less noticeable noise. It can also be used when shooting with other Cinema EOS system cameras such as the EOS C300 Mark III and EOS C70 cameras.
Enhanced Image Stabilization
Enhanced image stabilization is achieved through coordinated control when Canon’s RF lenses with optical IS are combined with the EOS R5 C camera’s electronic IS when shooting XF-AVC or MP4 formats. With an RF lens that has optical IS and the electronic IS in the EOS R5 C camera, coordinated control helps achieve the optimum hand-shake correction effects. This helps achieve better anti-vibration performance than with conventional IS-equipped EF lenses (using optional Mount Adapter EF-EOS R) and electronic IS together.
Canon VR with RF5.2mm F2.8 L Dual Fisheye Lens Support and Workflow
The EOS R5 C camera is an excellent camera pairing with Canon’s RF5.2mm F2.8 L Dual Fisheye Lens to achieve stereoscopic 3D 180° VR video (viewing in 3D requires the use of a compatible Head Mount Display). A plug-in for Adobe® Premiere Pro® and Canon’s EOS VR Utility are available to streamline the workflow from shooting to editing.
Dual Pixel CMOS AF with iTR AF X
Canon’s Dual Pixel CMOS AF technology uses every pixel on the imaging sensor to detect focus, and also to capture actual image information achieving both high precision focusing and high image quality.
With most Canon RF and EF lenses, AF for video can be carried out over approximately 80% of the vertical and horizontal area of the screen. Touch AF allows positioning an AF point by simply touching the LCD screen, in addition to quick manual positioning with the 8-way Multi-controller on the rear of the camera.
In addition, the camera features Eye AF/Head Detection AF, developed with the use of deep learning technology to improve subject tracking. It also provides human detection (eyes/face/head), allowing it to track subjects accurately even when AF control is not available.
Users can track focusing as desired depending on their subject or shooting situation. A wide variety of AF modes enable autofocus shooting that flexibly responds to the subject’s movement. Users can leave focusing to the camera and concentrate on their camera work.
INCLUDED LENS
Brand

lens specification
| Lens Min. Focus Distance | 7.9" |
| Minimum Aperture | f/16 |
| Maximum Aperture | f/2.8 |
| Angle of View (diagonal) | 190° |
| Focus Type | Manual |
| Mount Type | Canon RF |
| Focal Length | 5.2mm |
| Optical Design | 12 Elements in 10 Groups |
camera attributes
| Image Sensor Size | Approx. 36.0 x 24.0 mm |
| Electronic Shutter | 1/8000 to 0.5 Seconds |
| Exposure Modes | Scene Intelligent Auto<br>Flexible-priority AE (Fv)<br>Program AE (P)<br>Shutter-priority AE (Safety shift possible) (Tv)<br>Aperture-priority AE (Safety shift possible) (Av)<br>Manual exposure (M)<br>Bulb<br>Custom shooting mode (C1, C2, C3)</br> |
| Lens Mount | Canon RF mount |
| Image Sensor Type | CMOS sensor (compatible with Dual Pixel CMOS AF) |
| Recording File Format (Image) | C-RAW<br>HEIF<br>JPEG<br>Raw</br> |
| Recording File Format (Video) | Raw 12-Bit<br>AVC-Intra/AVC-LongG/XF-AVC 4:2:2 10-Bit<br>AVC-LongG/MP4 4:2:2 10-Bit<br>AVC-LongG/MP4 4:2:0 8-Bit<br>Raw/Cinema RAW Light</br> |
| Aspect Ratio | 3:2 (Horizontal: Vertical) |
| Continuous Shooting | <b>Mechanical Shutter</b><br>Up to 12 fps at 45 MP for up to 180 Frames (Raw) / 350 Frames (JPEG)<br><b>Electronic Shutter</b><br>Up to 20 fps at 45 MP for up to 83 Frames (Raw) / 170 Frames (JPEG)</br> |
| Light Metering Modes | Real-time metering with image sensor (384 zones [24x16 zone metering])<br> (1) Evaluative metering (AF point-linked)<br> (2) Partial metering (approx. 6.1% of the area at the center of the screen)<br> (3) Spot metering (approx. 3.1% of the area at the center of the screen) <br> (4) Center-weighted average metering |
| ISO Sensitivity | <b>Photo:</b><br>100 to 51,200 in Manual Mode<br>100 to 12,800 in Auto Mode<br><b>Video:</b><br>100 to 51,200</br> |
| White Balance Mode | 0 to 0K<br><bPresets:</b><br>Auto<br>Cloudy<br>Color Temperature<br>Custom<br>Daylight<br>Flash<br>Fluorescent (White)<br>Tungsten</br> |
| Self Timer | 2/10-Second Delay |
| Image Stabilization | Yes |
| Autofocus Points | <b>AF area:</b> Horizontal: Approx. 100% x Vertical: Approx. 100% <br> <b>Stills:</b> Max. 1053 zones (39 x 27)<br> <b>Movies:</b> Max. 819 zones (39 x21) |
| Operating Temperature | 32–104°F / 0–+40°C |
| Camera Body Weight | Approx. 1.5 lbs (680g) |
| Extended ISO | <b>Photo:</b><br>50 to 102,400<br>100 to 51,200<br><b>Video:</b><br>50 to 102,400</br> |
physical specifications
| Weight | Body Only: 1.5lbs<br>With Battery/Recording Media: 1.7lbs</br> |
| Dimensions | 5.6" x 4" x 4.4" |
focusing control
| Focus Modes | Manual |
power system
| Battery Type | LP-E6NH<Br>LP-E6N<br>LP-E6</br> |
flash attributes
| Built-in Flash | No |
| Flash Modes | Continuous-Servo AF<br>Manual Focus<br>Single-Servo AF</br> |
| External Flash Connection | Hot Shoe |
detailed specifications
| Megapixels | Actual: 47.1 Megapixels<br>Effective: 45 Megapixels</br> |
| Compatible Media | Slot 1: CFexpress Type B<br>Slot 2: UHS-II SD/SDHC/SDXC<br><i>ye-Fi cards and Multimedia cards (MMC) are not supported</i></br> |
display & viewfinder
| Screen Size | 3.2" |
| Display Type | TFT color, liquid-crystal monitor |
| Monitor Resolution | Approx. 2.1 million dots |
| Viewfinder Resolution | Approx. 5.76 million dots resolution |
| Diopter Adjustment | -4 to +2 |
interface
| Memory Card Slot | Slot 1: CFexpress Type B<br>Slot 2: SD/SDHC/SDXC (UHS-II)</br> |
| Connectivity | Wi-Fi® IEEE 802.11a/ac/b/g/n<br>Bluetooth® Version 5.0<br> USB Type-C<br>HDMI micro OUT terminal Type D</br> |
viewfinder specifications
| Viewfinder Type | OLED color electronic viewfinder |
Canon EOS R5 C Digital Cinema Camera
- Battery Pack LP-E6NH
- Battery Charger LC-E6
- Shoulder Strap SS-1200
- Interface Cable IFC-100U
- Cable Protector
- Camera Cover R-F-5
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