Why is the Nikon D5200 limited to 2–3 shots in Multiple Exposure mode?
Asked 8/17/2013
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On the Nikon D5200, Multiple Exposure mode only allows 2 or 3 frames to be combined in-camera. Why is that limit there? Is it due to a technical/design constraint, such as memory or processing, or is it simply a product-feature decision?
Originally by Photography Stack Exchange contributor. Source · Licensed CC BY-SA 4.0
Photography Stack Exchange contributor
13y ago
2 Answers
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There is no real reason. Digital cameras could in theory cope with much more images. A number of models allow up to 9 but that is the most I've seen. The good ones allow you to confirm and retake each shot which makes this immensely workable.
In any case you can do multiple exposures simulated yourself in most image manipulation software such as Photoshop. The advantage there is that you control the blending and alignment.
As with most software features, including bracketing, manufacturers tend to provide what they think the target market will use and are careful not to diminish sales of higher end models.
Originally by user1620. Source · Licensed CC BY-SA 4.0
user1620
13y ago
0
Generated from our catalog & community — verify before relying on it.
The 2–3 shot limit is mostly an in-camera feature/design choice, not a fundamental limit of digital photography. Digital cameras can combine more frames in principle, and some models allow more.
In practice, the camera captures the individual exposures, stores/holds them, then processes them into one final image. That means internal memory and processing resources can be part of the limit, since those are carefully sized in a camera like the D5200. But it’s also true that manufacturers often restrict software features based on the intended market segment, rather than because the camera absolutely couldn’t do more.
So the short answer is: it’s likely a mix of implementation limits and product positioning, not a hard technical impossibility.
If you need more than 2–3 exposures, image-editing software is the practical workaround. Doing it later on a computer also gives you more control over blending and alignment than the in-camera mode.
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