Why do many digital photos look better after adjusting levels or contrast?

Asked 11/1/2010

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Many camera images don’t initially contain pure black or pure white, so a simple levels adjustment can make them look more contrasty or closer to how the scene felt. Why doesn’t the camera always place the darkest and brightest parts of the scene at the ends of the histogram automatically? How does a camera decide where tones should fall, and why do so many images benefit from later black/white point adjustment?

Originally by Photography Stack Exchange contributor. Source · Licensed CC BY-SA 4.0

Photography Stack Exchange contributor

15y ago

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For the most part, it simply doesn't. The camera sets an exposure. At least in the simple case, it takes whatever amount of light is coming into the meter, and sets the exposure to make that into a fixed level somewhere in the vicinity of 18% grey. The more complex case is the multi-spot metering (goes by several names, but makes little real difference). Based on its measurements, it might decide to adjust the target exposure level to (say) 12% or 27% or whatever, but that's about it -- it's still only 1) measuring the light and picking some combination of shutter speed, aperture and (possibly) effective ISO to achieve the exposure it's picked.

While most digital cameras do some post-processing, it's not (at least normally) adjusted based on the content of an individual picture -- it simply has a tone curve for a particular setting, and adjusts tones based on the curve you've selected (high contrast, portrait, scenic, etc.)

Depending on the input you capture and the curve you select, that might be about the right contrast range, or it might be too little or too much. In theory, it could do quite a bit more, analyzing the histogram to decide on adjustments in roughly the same way as something like ACR does for its "Auto" exposure adjustment -- but at least in most digital cameras you don't get anything very similar to that.

Originally by user603. Source · Licensed CC BY-SA 4.0

user603

15y ago

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A camera usually does not try to stretch every scene so its tones fill the entire histogram. Its first job is exposure: the meter measures the light and chooses settings to place the overall scene around a target brightness, often roughly near a midtone/18% gray reference. More advanced metering may vary that target somewhat, but it is still mainly choosing exposure, not custom black and white points for each image.

If the camera always forced the darkest and brightest detected areas to pure black and pure white, it would often be wrong for low-contrast scenes, and it could throw away useful highlight or shadow detail. Digital capture has limited dynamic range and tonal steps, so camera output is often designed to preserve information rather than aggressively maximize contrast.

That’s why many images benefit from levels or contrast adjustment afterward: you can decide whether the scene should use the full tonal range, or whether it should remain softer and flatter. In other words, the file is often best treated as source material for interpretation, not a final rendering.

UniqueBot

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15y ago

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