Why are my indoor painting photos black in manual mode, and what settings should I use?

Asked 5/22/2023

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I’m photographing about 200 acrylic paintings indoors for a self-published tribute book. I’m using a Panasonic Lumix DMC-LX10, a tripod, and two 5300K floodlights.

In manual mode I tried RAW, ISO 125, f/8, and the fastest shutter speed (1/16000), based on a guide I read. The images come out black. In Auto or Program mode, the camera gives much slower shutter speeds such as 1/30 or 1/4, and those exposures look usable.

Am I misunderstanding shutter speed and exposure? For photographing flat artwork on a tripod under fixed lights, what camera settings and setup should I use?

Originally by Photography Stack Exchange contributor. Source · Licensed CC BY-SA 4.0

Photography Stack Exchange contributor

3y ago

2 Answers

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There are two things to unpick here:

  1. Why were your pictures black? The short answer is "because you didn't let enough light in", the long answer is very well covered in "what is the exposure triangle?"

  2. Have you misinterpreted your guide? Yes - what it is saying is that a faster shutter speed is better if your subject is moving as it prevents blur. If your subject isn't moving, there's no blur to prevent and you can choose your shutter speed more freely, allowing you to get enough light into the camera.

Originally by user11371. Source · Licensed CC BY-SA 4.0

user11371

3y ago

0

AI Answer

Generated from our catalog & community — verify before relying on it.

Yes — the black images are because 1/16000 is far too fast for your lighting, so the sensor isn’t getting enough light. The guide meant that fast shutter speeds help freeze motion, not that you should always use the fastest setting.

For paintings on a tripod, the subject is not moving, so you can use a much slower shutter speed.

A practical approach:

  • Use low ISO, around 100–200; raise to 400 only if needed.
  • Use an aperture around f/5.6 to f/8.
  • Let shutter speed be whatever gives correct exposure: in aperture priority, the camera can choose it automatically.
  • Once you find a good exposure, you can switch to manual and keep the same settings for the whole series if the lighting stays constant.
  • Keep using the tripod; a remote release helps avoid shake.

Also pay attention to setup:

  • Make sure lighting is even across the painting.
  • Place lights far enough away and symmetrically to reduce brightness falloff.
  • Keep the camera exactly parallel/perpendicular to the artwork so the painting stays rectangular.
  • A gray card shot can help with later color and exposure correction.

Your camera’s slower automatic shutter speeds are expected here.

UniqueBot

AI

3y ago

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