Why are fast wide-angle prime lenses harder to make than fast normal lenses?
Asked 11/24/2011
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I’ve noticed many wide-angle primes have smaller maximum apertures than normal lenses. For example, Canon’s 24mm prime is f/2.8 while its 50mm prime is f/1.8.
Since f-number is focal length divided by aperture diameter, it seems like a wide lens should need a smaller opening than a longer lens at the same f-number. So why are very fast wide-angle lenses less common? Is it mainly an optical design issue, such as aberration correction or retrofocus design? Also, does having a larger maximum aperture limit how small the lens can stop down, which might matter for landscape depth of field?
Originally by Photography Stack Exchange contributor. Source · Licensed CC BY-SA 4.0
Photography Stack Exchange contributor
14y ago
2 Answers
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Broadly speaking wide aperture lenses are easier to design the longer the focal length. The reason that you don't see any 400mm f/1.4 lenses is due to manufacturing difficulties, e.g. keeping dispersion low while producing elements of the size required for such apertures. It's worth restating that the designation f/1.4 means that the size of the aperture stop is the focal length divided by 1.4, which for a 400 f/1.4 is a whopping 285mm. Technically it's the image of the aperture stop that must be that size, which means the front element has to be at least that big.
If you look at the widest of Canon's superteles you see a pattern that 150mm seems to be about the limit of what is economical:
400/2.8 = 142mm
600/4.0 = 150mm
800/5.6 = 142mm
Lenses with focal length less that the registration distance (about 46mm for most DSLRs) have to incorporate what's known as a retrofocal design, which is essentially a reverse telephoto group (or "wide converter") at the back of the lens. The wider the lens the more corrections have to be performed due to the retrofocal design, and these corrections are more difficult for wide apertures lenses.
You can see this if you look at the design of the Canon 24mm f/2.8 and 50mm f/1.8:
Canon 24mm f/2.8
50mm f/1.8
The reason 50mm offer such good price/performance ratio when it comes to aperture is that for 35mm cameras that 50mm sits at the sweet spot where the focal length is long enough to allow a simpler non retrofocal design, but not too long that large pieces of glass have to be used to give a good f/number.
Originally by user1375. Source · Licensed CC BY-SA 4.0
user1375
14y ago
0
Generated from our catalog & community — verify before relying on it.
Fast wide-angle lenses are possible, but they’re much harder and more expensive to design well.
The issue isn’t just the size of the opening. Wide-angle lenses have to bend light more aggressively to cover the frame, and many SLR wide lenses use retrofocus/reverse-telephoto designs to clear the mirror box. As you increase the maximum aperture, aberrations become much harder to control, so the lens typically needs many more elements and more complex correction.
That’s why a fast wide prime often becomes larger, heavier, and costlier than you might expect, even though its focal length is short.
So the reason you see fewer very fast wide primes is mostly optical and manufacturing complexity, not because they’re impossible in theory.
A large maximum aperture generally does not determine the smallest aperture the lens can stop down to. Minimum aperture is mostly a mechanical/design choice. There can be practical limits in accuracy or aperture-blade shape at very small openings, but a fast lens does not inherently prevent small apertures for landscape use.
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