What is a retrofocus lens design?
Asked 8/23/2012
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I’ve seen wide-angle lenses described as “retrofocus,” for example when comparing a 35mm prime with a simpler 50mm design. What does retrofocus mean, and why is that design used?
Originally by Photography Stack Exchange contributor. Source · Licensed CC BY-SA 4.0
Photography Stack Exchange contributor
14y ago
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Fundamentally a telephoto design is used to make a lens body shorter than it's focal length, for practical reasons [what if your 18-300 ultrazoom was actually 30cm long?], a retrofocus design is the opposite, and makes a lens longer than it's focal length in order to leave space for the mirror on an SLR.
You can tell if your lens is a retrofocus or telephoto by removing both caps and holding it in front of a bright background so you can see the aperture (the hole in through which light passes). For a retrofocus lens this aperture will look bigger from the back than from the front. For a telephoto lens it will look smaller from the back than from the front (the extreme telephotos you see have lens barrels which are much narrower toward the rear so this would have to be the case).
If it's about the same size front and back, then you have a symmetric lens, such as the 50mm I was referring to. This is a simpler design as it is neither retrofocus or telephoto and this allows them to be made cheaply despite having a large aperture such as f/1.8.
Originally by user1375. Source · Licensed CC BY-SA 4.0
user1375
14y ago
0
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A retrofocus lens is essentially the opposite of a telephoto design. A telephoto lens is made physically shorter than its focal length; a retrofocus lens is made physically longer than its focal length.
This is mainly used for wide-angle lenses on SLRs, where extra space is needed between the rear of the lens and the film/sensor plane so the mirror and shutter mechanism can clear the lens. In a conventional wide-angle design, the rear of the lens would sit too close and could interfere with that mechanism.
In optical terms, a retrofocus lens is often described as a reversed telephoto layout, typically with a negative front group that pushes the rear nodal plane behind the lens. That lets the lens behave like a short focal length lens while still leaving more physical clearance at the back.
That’s why many SLR wide-angle and fisheye lenses use retrofocus designs, while a 50mm lens can often use a simpler optical formula.
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