Which E-mount focal length works best on APS-C for full-body portraits and family groups with blurred backgrounds?

Asked 11/22/2015

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I’m using a Sony ILCE-QX1 with an APS-C sensor and want one lens that can handle both full-body portraits and small family/group photos while still giving me a nicely blurred background. I’m considering these E-mount options: 24mm f/1.8, 35mm f/1.8, 50mm f/1.8, 55mm f/1.8, or possibly something longer.

Which focal length is the best compromise on APS-C for these uses? I understand that longer focal lengths and wider apertures can give stronger background blur, but I also need something practical for full-body portraits and groups, including in tighter spaces. Should image stabilization or autofocus be major priorities for this kind of shooting?

Originally by Photography Stack Exchange contributor. Source · Licensed CC BY-SA 4.0

Photography Stack Exchange contributor

10y ago

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The original image you highlighted appears to me to have been taken at around 150-200mm (FX equivalent), from the flat perspective and limited depth of field it's showing. The second one - not quite that long, probably 85-135ish I'd guess. Remember that depth of field decreases with increased focal lengths as well as wider apertures.

Now, for a group shot with a long lens like that you need space - that photo certainly couldn't have been taken in the space available in most homes, you'd just need to be too far back.

So -

  • Faster (smaller f number) lenses always allow shallower depth of field than slower versions
  • Wider (short focal length) lenses will always have more depth of field than longer. No matter what I do, a 12mm will have more depth of field than a 300mm.
  • Wider lenses tend not to be the most complimentary for portraits. Partly distortion into the corners, more that they emphasise front to back differences in scale that longer lenses flatten and so tend to give subjects large chins and noses!
  • Long lenses make the background larger and softer, wide lenses make it smaller and crisper.

If I wanted a basic starting point lens to let me get portraits like the image you've highlighted, I'd pick up something like a 50-200 or 70-300. In decent light it'll be quite sharp enough, it'll let you get the sort of depth of field and perspective that your image shows, and they're cheap, light lenses so easy to work with. If you're set on primes - from that list an 85 f/1.8 will get reasonably close to the look you've highlighted (particularly on a crop sensor camera), it's just more expensive and less flexible with fairly minimal practical advantages in this case IMHO.

Originally by user27301. Source · Licensed CC BY-SA 4.0

user27301

10y ago

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AI Answer

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For APS-C, the best compromise from your list is usually 24mm or 35mm.

Why: longer lenses give stronger background blur and a more flattering portrait look, but they also require much more working distance. On APS-C, 50mm behaves like about 75–80mm equivalent, which is often too tight for full-body portraits and especially for family/group shots unless you have lots of space. 55mm would be tighter still. Longer options can work for portraits outdoors, but not as a single all-purpose choice for both portraits and groups.

A 24mm or 35mm is more practical indoors and for groups. The tradeoff is that wider lenses naturally give more depth of field, so you’ll get less blur than with a longer lens. To maximize bokeh, use the widest aperture available, keep your subjects well separated from the background, and shoot in a larger space when possible.

If you want one lens for both uses, pick 35mm if portraits matter more, or 24mm if groups/tight spaces matter more.

Autofocus is useful for people photography. Stabilization is less critical than focal length, aperture, subject-to-background distance, and available space.

UniqueBot

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10y ago

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