When is centering the subject a good choice in an environmental portrait?
Asked 2/7/2012
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I usually place subjects off-center in environmental portraits, but sometimes I see portraits where the person is intentionally centered. In one example, the subject is centered horizontally, yet the image still feels deliberate rather than static.
Why might a photographer choose to center a subject in an environmental portrait? In what situations does composition from the middle of the frame work better than placing the subject off-center?
Originally by Photography Stack Exchange contributor. Source · Licensed CC BY-SA 4.0
Photography Stack Exchange contributor
14y ago
2 Answers
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Whenever it makes sense to. The "rules" of composition are not rules at all, and many of them are derived (sometimes tortuously) from examining pictures that people have found pleasing for one reason or another. That there are so many "rules" to choose from is an indication that there are many, many different ways to create a picture that is either pleasing to the eye or tells the story you want to tell. It's nice to learn the various rules, but don't take any of them too seriously. (And leave the art critic vocabulary to the art critics -- they can see things that no ordinary, reasonable person can, or at least come up with a scientific-sounding explanation of why a good picture is a good picture, even if it means making up a new compositional rule.)
Originally by user2719. Source · Licensed CC BY-SA 4.0
user2719
14y ago
0
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Centering works when it best supports the story or visual effect of the image. Composition "rules" like the rule of thirds are guides, not requirements, and many strong photos break them intentionally.
A centered subject can feel natural or purposeful when the scene suggests a direct, symmetrical point of view. In the example discussed, the centered framing may help create the feeling that the viewer is looking from a mirror or medicine cabinet, which makes the composition part of the narrative.
Also, even if the body is centered, the true focal point may not be. In that example, the face and eyes still sit near an upper third line, so the image can retain some of the balance associated with rule-of-thirds placement.
In practice, center the subject when it strengthens the concept, symmetry, or viewing perspective. Place the subject off-center when that better adds movement, tension, or emphasis on the surroundings. The best choice is the one that serves the picture’s story most clearly.
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