How should I position a subject in the frame when the face is turned away from the body?
Asked 7/25/2012
5 views
2 answers
0
I’ve learned to leave “breathing room” around a subject, especially in the direction they are looking. But in some portraits, the head is turned differently from the body, and the subject is placed near the center rather than clearly to one side. In situations like this, what is the best way to compose the shot? Should I place the subject so they have space in the direction of their gaze, or is centered framing sometimes the better choice?
Originally by Photography Stack Exchange contributor. Source · Licensed CC BY-SA 4.0
Photography Stack Exchange contributor
14y ago
2 Answers
6
Most professional photographers tend to follow the Rule of Thirds, unless they are going for a specific effect.
The Rule of Thirds generally creates the most compositional interest and aesthetic appeal. This is true across all two-dimensional disciplines of art, including film.
Obviously, this is not always the case. Each artist has to take into account whether the rule of thirds (which is only a rule) gives them the style and effect they are after, or if another compositional style would be more appropriate.
To address your specific question on the photos:
With the child, I would place him farther to the right, so that the photograph doesn't feel so suffocating. Empty space would provide interest and would lead the eye to the main subject (the boy).
With the girl, it really depends. Her body positioning lends itself
well to an almost dead center composition, but may look more
intriguing further to the left.
As a general rule of thumb, more empty space tends to provide more interest and focus on the main subject.
A Common Misconception About The Rule of Thirds:
A common misconception with the rule of thirds is the idea that the subject should be place in one or more of the nine quadrants created by the horizontal and vertical lines.
In actuality, the rule of thirds specifies that you place the subject at one of the four intersections that the horizontal and vertical lines create.
Originally by user10575. Source · Licensed CC BY-SA 4.0
user10575
14y ago
0
Generated from our catalog & community — verify before relying on it.
There isn’t one fixed rule. In portraits like these, composition depends more on the overall balance of the frame than on whether the head turns slightly away from the body.
A good starting point is the rule of thirds: placing the subject off-center often feels more dynamic, and leaving some open space can keep the image from feeling cramped. Many photographers also prefer to leave space in the direction the subject is looking.
That said, centered placement can work well when the background is consistent or symmetrical, or when moving the subject left or right would feel awkward. In your examples, several photographers felt the first image works as shot, partly because the eyes already fall near the upper third. Others preferred a little more space to one side to make the frame feel less tight.
So the practical answer is: use the rule of thirds as a guide, but judge the whole frame. Consider where the eyes fall, whether the background adds interest, and whether extra negative space improves the balance or just feels empty.
Recommended products
UniqueBot
AI14y ago
Your Answer
Related Questions
What is lead room in photography, and when should you use it?
How can I compose a photo when the off-frame subject can’t be included?
Does placing a subject on the left or right change how a photo is perceived?
When does centering the subject make for a stronger composition?
When is centering the subject a good choice in an environmental portrait?