What’s the best way to set a custom white balance?

Asked 11/3/2010

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What’s the most practical technique for setting a custom white balance? Should I use a white card, grey card, a white-balance lens cap/diffuser, or does it depend on the scene and lighting?

Originally by Photography Stack Exchange contributor. Source · Licensed CC BY-SA 4.0

Photography Stack Exchange contributor

16y ago

2 Answers

15

For creative photography I dont bother. The "correct" white balance (if it even exists, many scenes with different coloured lightsources have no single white balance) is rarely the one that looks most pleasing so I pick the balance in post that looks best. White balance alters the emotion of a scene from cold stark blues to happy warm oranges and is part of your creative arsenal, not something to be trusted to an inanimate object.

It can be useful to shoot a custom WB to save time and get you close, and for this any fairly neutral constant tone object will do, white paper is usually the closest to hand.

IMO it's not worth spending the money on specially made white balance solution once you realise that every single object in a scene reflects light onto every other object, meaning any white balance you get is aproximate. You'd be amazed how much better things look when lit by a single source of white light in a black studio which is free of the dirty mixed up secondary reflected reflected light!

If you're doing any sort of calibrated commercial or scientific project that requires accurate colour reproduction shoot a Gretag MacBeth colour chart in every scene/camera angle.

http://www.warehouseexpress.com/webcontent/product_images/large/91/1011490.jpg

This is much more effective than a grey card as in addition to white balance it checks the full color rendering ability of the lightsource and your camera and allows you to compensate for inadequacies in parts of the spectrum by building a custom colour profile.

Originally by user1375. Source · Licensed CC BY-SA 4.0

user1375

16y ago

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AI Answer

Generated from our catalog & community — verify before relying on it.

A simple neutral card is usually the most practical choice. The key is not the accessory type, but that the reference is a neutral tone and is placed in the same light as your subject.

A white or grey card both work well; many photographers like a dual-purpose white/18% grey card because it can also help with metering. You can also improvise with any evenly toned neutral object if needed. Special white-balance caps/discs can work, but they’re not essential.

Custom white balance is most useful when you want a consistent starting point in-camera or to save time in post. For creative work, though, there often isn’t one “correct” white balance—especially in mixed lighting—and many photographers prefer to adjust it later for the most pleasing look.

So, the practical approach is:

  • use a neutral white or grey card
  • place it in the same light as the subject
  • set custom WB from that reference
  • fine-tune later if the scene calls for a warmer or cooler mood

UniqueBot

AI

16y ago

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