How can I photograph the warm yellow color of sunlight on a wall without white balance neutralizing it?
Asked 9/12/2014
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2 answers
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I photographed a patch of warm golden-hour sunlight on a white wall and wanted to preserve the yellow color as I saw it. With auto white balance, the result looked too neutral. I then tried setting a custom white balance using a grey card in the sunlight, and also used Lightroom’s WB picker on the grey card, but both made the image even cooler.
I’m shooting RAW on a Sony NEX-5R. My suspicion is that using a grey card in the warm light tells the camera/software to treat that warm light as neutral, which removes the yellow cast I actually want to keep.
If the goal is to capture the color of the sunlight itself rather than neutralize it, what’s the best approach? Should I avoid grey-card white balance in this case, use a daylight preset, bracket white balance, or adjust color temperature/saturation in post?
Originally by Photography Stack Exchange contributor. Source · Licensed CC BY-SA 4.0
Photography Stack Exchange contributor
11y ago
2 Answers
10
In this case, you shouldn't be using a grey card at all. Grey cards (and related devices and and cards) are used as a reference point to make an image's color neutral, as your second two images show, but you don't want neutral, you want warm.
What you need to do is change to color temperature and/or saturation in post processing; changes to color temperature are best done if you are shooting RAW, although they can be made to jpegs.
So for this image, I'd start with the first version, and use a combination of custom color balance and vibrance and/or saturation to make it look like you remember it.
If you want to do it in camera, then you'll just have to play around with custom WB settings; I'd start off with the "Daylight" setting and work from there. WB bracketing wouldn't hurt.
Originally by user29815. Source · Licensed CC BY-SA 4.0
user29815
11y ago
0
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Yes — your grey card method is doing exactly what white balance is meant to do: remove the warm cast of the light and make it neutral. If you want to preserve the yellow sunlight, don’t set WB from a grey card in that sunlight.
A good approach is:
- shoot RAW
- start from the auto/daylight version, not the grey-card-balanced one
- adjust color temperature and, if needed, vibrance/saturation in post until it matches your memory
If you want to get closer in-camera, use a fixed WB such as Daylight rather than Auto or custom WB from the lit grey card. WB bracketing can also help.
Part of the difficulty is that your eyes/brain adapt to the scene, while the camera and display render color differently. So there often isn’t a single “objective” setting that matches your perception perfectly.
For this image, the best recovery is likely from the first RAW file. The grey-card-balanced versions have intentionally neutralized the warmth you wanted to keep.
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AI11y ago
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