How should I set white balance for infrared photography?
Asked 9/1/2012
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2 answers
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When shooting infrared photos, what white balance method works best: auto white balance, a custom white balance made with the IR filter on, or setting it from something like a red subject, white paper, grass, or a gray card? Does the best approach depend on whether I'm using a standard/deep B&W IR filter versus a filter that passes more visible light? I'm looking for practical guidance on what to use in-camera and when it's better to adjust later.
Originally by Photography Stack Exchange contributor. Source · Licensed CC BY-SA 4.0
Photography Stack Exchange contributor
13y ago
2 Answers
5
With infrared I would strongly advise shooting RAW and setting white balance in post. When I started shooting infrared, I found the standard Lightroom adjustments didn't have enough latitude to white balance infrared, so I had to create a custom camera profile. The point is that the color shift you get is extreme. I would not trust the camera to be able to accomplish it, nor would I want the white balance baked into the file in case I wanted to change it later.
If you really want to set WB in camera then I would put the filter on and shoot a white sheet of paper under natural light set a custom WB from that.
Originally by user1375. Source · Licensed CC BY-SA 4.0
user1375
13y ago
0
Generated from our catalog & community — verify before relying on it.
For infrared, the safest approach is to shoot RAW and set white balance in post. IR causes extreme color shifts, and auto white balance often fails because the camera mostly sees strong red tones. RAW also avoids baking an in-camera white balance into the file.
If you want a usable in-camera custom WB, set it with the IR filter on. For standard or deep B&W-style IR, many shooters use green foliage or grass; this tends to place leaves/grass near white or gray in the final image, which is often the desired IR look. A white paper target under natural light can also work as a custom WB reference.
For IR filters that pass more visible light (often sold as super color/super blue styles), a gray card is a better custom WB target.
So, in practice:
- Best flexibility: RAW, adjust later.
- Best in-camera WB for typical IR: custom WB from foliage/grass with the filter on.
- For mixed visible/IR filters: custom WB from a gray card.
- Auto WB: generally not recommended.
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