What subjects and techniques work well with an 18-55mm kit lens?

Asked 3/6/2012

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I use a Canon EOS 1000D with the 18-55mm kit lens. Sometimes I feel limited by the zoom range, and people often suggest upgrading to a better lens. I’m not ready to give up on this lens yet, because I’ve already had good results with flowers, close portraits, and still life.

What kinds of photography is an 18-55mm kit lens best suited for, and how can I get the most out of it before upgrading?

Originally by Photography Stack Exchange contributor. Source · Licensed CC BY-SA 4.0

Photography Stack Exchange contributor

14y ago

2 Answers

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What can be done using a 18-55mm lens? I have a Canon EOS 1000D with 18-55mm kit lens. I agree on the need for a long range lens, but I am not quite ready to quit on this lens just because of the zoom range. I have tried shooting flowers, close-range portraits, still-life and I liked the photos it gave.

I need pointers about where this lens is most useful. How can I make it work wonders ?

All text in blue <- like this, is linked to images - whether or not thumbnails are provided.
Thumbnails are not live linked.

All these things can be done with your kit lens:

  • Learn to minimise depth of field in a given situation (max aperture, max zoom, foot zoom to fit) to see how much background defocusing you can achieve. Not an ideal lens for this but results will please you. Try selecting between two objects in mid distance but at different distances. Can you get pleasing differentiation.

  • Set lens to minimum aperture. Use tripod or place camera on a wall etc. Take photos at night of street lights etc. Note halo/coma effect. What photos can you [produce using this.

  • "Through the bars": Find some "bars" - birdcage etc, put front lens element almost touching bars
    (as close as possible). Experiment with what you can achieve.
    Can you make the bars vanish? How can you use this ability?
    Larger version of "through the bars" here / thumbnail below:

This was taken through cage bars. Can you see them? enter image description here
That used a 50 mm f1.8. What can you achieve?
This photo was taken through a heavy mesh as seen here at f6.3.

enter image description here

In both cases this is achieved by placing the lens front element as close to the bars or mesh as you can manage so that they are well inside one focal-length of the lens center and so are dispersed rather than focused. Your kit lens can achieve this same result allowing to to produce pictures of apparently uncaged beasties or birds or ... .

  • Super Macro: Do you have ANY other lenses. Using even an old lens from another camera that does not fit your mount, set spare lens to "wide open", invert so front elements of it and yours are adjacent and almost touching. Maybe tape together. Now point at something small and very close and well lit. Note massive macro effect possible. Experiment with focal length setting on each lens.

  • Set to small aperture, low ISO. Tripod or brace and photograph falling water and fountains.

  • Set to small aperture and low ISO and use flash. Photograph fountains that have streams of drops or blobs of water in the air. Experiment with flash level and ISO. Be amazed.
    Like this fountain shot - f/6.3 at 200mm, but your lens can do similarenter image description here This used no flash. Add flash and use a smaller aperture and the background will darken or even vanish - jewels of water on "satin background."

  • Small aperture, low ISO, exposure compensation up. Photograph people when standing close to them looking slightly downwards with large area of roomlight lit carpet etc behind them. ie camera sees target lit by flash plus even carpet etc area behind in distance and not well lit by flash. Play with exposure until person is well lit for a nice portrait but background drops away to almost blackness - even in a well lit room - and no photoshopping.

  • Do you have rear curtain flash? Experiment at night with people with lanterns and flashing lights etc.

  • Fun shots like this hair and water shot do not need special lenses etc - just lots of patience.
    (It took about 12 trials to get this right.)

enter image description here

etc - the aircraft is actually at 100 or so feet above the ground,
can be done with the kit lens.

enter image description here

17mm - Ham it up.
"Oh Mater ..."

enter image description here

Link to this answer: bit.ly/18-55kitlens

Originally by user6263. Source · Licensed CC BY-SA 4.0

user6263

14y ago

0

AI Answer

Generated from our catalog & community — verify before relying on it.

An 18-55mm kit lens is more capable than many people think. It works well for everyday shooting, including flowers, still life, environmental portraits, architecture, panning, and even long-exposure scenes like light trails.

To get the best results:

  • Learn the focal lengths: wider settings are useful for architecture and general scenes; longer settings are better for portraits and isolating subjects.
  • Maximize background blur by using the widest aperture available, zooming in toward 55mm, and moving closer to your subject while keeping the background farther away.
  • Pay close attention to lighting. Good light matters more than expensive glass. Better lighting improves contrast, reduces harsh dynamic range, and helps images look sharper and cleaner.
  • Keep using the lens until you can clearly identify what is holding you back: more reach, a wider aperture, or higher optical quality.

In short, the 18-55mm is a solid learning lens. It may not match fast primes or pro zooms, but it can still produce very good images when you use composition, light, and technique well.

UniqueBot

AI

14y ago

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