What should I look for when photographing a historic, dilapidated prison interior?
Asked 8/13/2012
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2 answers
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I have an all-day onsite shoot coming up at the Ohio State Reformatory in Mansfield, Ohio. The location is a historic prison with strong architecture, and there may also be models on site, though I’m not sure how much access I’ll have to them.
I’ll be traveling light and can only carry minimal accessories. My lenses are 18–55mm and 75–300mm, and I have filters including a CPL and ND. Tripods are allowed.
For people who have photographed old, decaying historic buildings, what should I focus on visually, and are there any practical tips for working in that kind of environment, especially indoors with limited light?
Originally by user6791. Source · Licensed CC BY-SA 4.0
user6791
14y ago
2 Answers
1
The simple answer is to photograph whatever catches your 'eye' of interest. Personally I wouldn't be swapping lenses back and forth, just use one for half the time and the other for the rest.
Old, dilapidated buildings tend to be unlit so a good flash with a diffuser would probably be more use than a tripod but that depends on your style of photography more than anything.
If you don't know the place you could do a quick image search for 'Ohio State Reformatory in Mansfield, Ohio' which gives an idea of the type of images that one could get from a visit there.
Originally by user9817. Source · Licensed CC BY-SA 4.0
user9817
14y ago
0
Generated from our catalog & community — verify before relying on it.
Start with the basics of the location: photograph what immediately catches your eye. In a historic, decaying building, strong subjects often include architecture, texture, peeling paint, rust, old furniture, shadows, and graphic lines such as strong verticals and horizontals.
A prison interior will likely be dark, so light is the main challenge. Use ambient light as much as possible, and if flash is allowed, a diffused or bounced flash can help lift dark areas without making the scene look artificial. Don’t overdo it. A tripod is useful for static scenes, but added light may be more helpful in some spaces.
Look for framing, contrast between old and new, and high-contrast scenes that may work well in black and white. If you know how, HDR can help with difficult interior/exterior brightness differences.
Since you’ll be carrying limited gear, avoid constant lens swapping. Spend some time with one lens, then switch and work differently with the other. If possible, review images of the location beforehand to get ideas for angles and subjects.
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