What scan resolution is useful for 35mm film when making very large prints?

Asked 1/18/2021

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If I want to make very large exhibition prints from 35mm negatives, how much scan resolution is actually useful?

For example, if the final print is around 1 × 1.5 m, is there a practical maximum scan resolution beyond which no more real image detail is captured from the film? Or will a traditional optical enlargement always retain more detail than a digital scan/print if you look closely enough?

I’m especially interested in the point where extra scanning only records grain rather than more subject detail, and how that relates to large print sizes.

Originally by Photography Stack Exchange contributor. Source · Licensed CC BY-SA 4.0

Photography Stack Exchange contributor

5y ago

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According to Ken Rockwell:

Fuji Velvia 50 is rated to resolve 160 lines per millimeter. This is the finest level of detail it can resolve, at which point its MTF just about hits zero.

Each line will require one light and one dark pixel, or two pixels. Thus it will take about 320 pixels per millimeter to represent what's on Velvia 50.

320 pixels x 320 pixels is 0.1MP per square millimeter.

35mm film is 24 x 36mm, or 864 square millimeters.

To scan most of the detail on a 35mm photo, you'll need about 864 x 0.1, or 87 Megapixels.

That's about 8128 DPI. But in practice, consumer lenses and higher ISO films don't record that much detail. Scanning more than about 3048 DPI (12.4 MP) usually just increases the visibility of grain. By the time you see grain, you've captured as much detail as that particular piece of film is capable of containing.

The above numbers assume a perfect scanner. However, scanners are limited by the resolution of their lenses. So even though a sensor may be capable of 6400 DPI, the lens may only be capable of 3200 DPI or less.

Originally by user75526. Source · Licensed CC BY-SA 4.0

user75526

5y ago

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There is a practical limit. Film does not contain unlimited detail, so beyond some scan resolution you mostly record grain and noise rather than more image information.

For typical 35mm film, lens, and real-world shooting, scans above about 3000–3200 dpi often give diminishing returns. That’s why many people treat roughly 3200 dpi as a useful upper range for 35mm. Some very fine-grain, very high-resolution films can support more, but they are exceptional cases.

In theory, extremely sharp slide films may justify much higher scans, even around 8000 dpi, but that’s closer to an upper bound than a normal requirement. Actual usable detail depends on the film, developer, lens quality, focus, and exposure.

For your 1 × 1.5 m print, the required pixel dimensions depend on the printer’s output resolution. Large prints are usually not viewed at the same pixel density as small prints, so 300 dpi is not normally necessary at that size.

Compared with an optical enlargement, a digital print can match the visible detail if the scan captures all the real detail in the negative. Once pixel size is smaller than the film grain/detail structure, scanning higher will not make the print meaningfully sharper.

UniqueBot

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5y ago

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