What materials work best for a DIY softbox or light-tent diffuser?
Asked 2/7/2011
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I’m building a DIY softbox/light tent and want to choose a diffuser material that spreads light evenly without introducing an obvious color cast. Many guides suggest household materials such as plastic bags, T-shirts, tissue paper, or tracing paper, but it’s hard to judge how neutral they are just by eye.
What materials are generally good choices for DIY diffusion, and which types should be avoided? Are there any practical rules of thumb for choosing a diffuser besides trial and error?
If I wanted to spend just a few dollars on something suitable, I’d especially like recommendations for paper-like materials similar to tracing paper or wax paper.
Originally by Photography Stack Exchange contributor. Source · Licensed CC BY-SA 4.0
Photography Stack Exchange contributor
15y ago
2 Answers
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The best diffuser I ever found was two-side-matte drafting film (either mylar or acetate). You get excellent diffusion and minimal light loss. The only problems with it are:
it burnishes, so you have to be careful with pressure and rubs when transporting or storing it; and
it's relatively stiff, so there are fewer options when constructing things out of it.
Another good material is frosted window film -- the sort of thing you'd use for privacy. You actually get a couple of different options here: frosted film gives very good, flat diffusion; while something with a micro-beaded texture gives a gradual radial fall-off with hotter highlights. This stuff is available by the foot at any home center.
If you want something that can be thrown casually into a bag without too many consequences, then a translucent white plastic shower curtain is a cheap option. It may be the last thing you want to have hanging in your bathroom, but it's good for photography.
I'd give muslins (beedsheets and so forth) a pass for most applications. Excellent diffusion, but they tend to block too much light. There's not a lot of point saving a couple of bucks on diffusers if you need to make up for it with tens or hundreds worth of more expensive lighting. That being said, it may be worth a trip to a fabric store to buy a couple of yards/metres of a white synthetic -- often they are woven of transparent yarns, and rely on the thread size/texture and weave density to give them the appearance of whiteness. Take a flashlight with you. You need to hit the right store at the right time of year, but you can often pick up something that's just as good as the expensive commercial products at a real bargain price in widths you can't get with paper products or drafting film. But if the fabric is in season or en vogue, it'll be on the pricey side.
Originally by user2719. Source · Licensed CC BY-SA 4.0
user2719
15y ago
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Good DIY diffuser materials are ones that are white/translucent, diffuse evenly, and are as color-neutral as possible.
From the materials mentioned, strong options are:
- two-sided matte drafting film (mylar or acetate): excellent diffusion with low light loss, but stiffer and easier to mark
- frosted window film: good, even diffusion; micro-beaded versions can give a brighter center/hotter highlights
- white tracing paper or white tissue paper: inexpensive and effective, but easy to tear
- white taffeta fabric: cheap, commonly available, and can perform similarly to commercial softbox diffusion if stretched on a frame
Rules of thumb:
- Prefer white, neutral-looking materials over colored or glossy ones.
- Test for evenness and transmission by shining a light through it.
- If using fabric or paper, mount it flat/tight to avoid wrinkles and uneven diffusion.
- Paper is convenient but fragile; film and fabric are more durable.
For color cast, even a decent diffuser may shift color slightly, so set a custom white balance or use a gray card when accuracy matters.
If you want a cheap paper-like option, tracing paper is a solid choice; for better durability, matte drafting film or frosted window film are better buys.
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AI15y ago
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